[2] These two distinguished authors were of congenial tastes, and both cultivated the same Latinistic literary diction. Their meeting must have occasioned a copious effusion of those "long-tailed words in osity and ation" which both had so readily at command or made to order. It is regrettable that Evelyn never completed a work entitled 'Elysium Brittannicum' which he planned, and to which Browne contributed a chapter 'Of Coronary Plants.' It would have taken rank with its author's 'Sylva' among English classics.
A man of character so lofty and self-contained might be expected to leave a life so long, honorable, and beneficent with becoming dignity. Sir Thomas's last sickness, a brief but very painful one, was "endured with exemplary patience founded upon the Christian philosophy," and "with a meek, rational, and religious courage," much to the edification of his friend Whitefoot. One may see even a kind of felicity in his death, falling exactly on the completion of his seventy-seventh year.
He was buried in the church of St. Peter Mancroft, where his monument still claims regard as chief among the memorabilia of that noble sanctuary[3].
[3] In the course of repairs, "in August, 1840, his coffin was broken open by a pickaxe; the bones were found in good preservation, the fine auburn hair had not lost its freshness." It is painful to relate that the cranium was removed and placed in the pathological museum of the Norwich Hospital, labeled as "the gift of" some person (name not recalled), whose own cranium is probably an object of interest solely to its present proprietor. "Who knows the fate of his own bones? ... We insult not over their ashes," says Sir Thomas. The curator of the museum feels that he has a clever joke on the dead man, when with a grin he points to a label bearing these words from the 'Hydriotaphia':--"To be knaved out of our graves, to have our skulls made drinking-bowls, and our bones turned into pipes to delight and sport our enemies, are tragical abominations escaped in burning burials."
At the first appearance of Browne's several publications, they attracted that attention from the learned and thoughtful which they have ever since retained. The 'Religio Medici' was soon translated into several modern languages as well as into Latin, and became the subject of curiously diverse criticism. The book received the distinction of a place in the Roman 'Index Expurgatorius,' while from various points of view its author was regarded as a Romanist, an atheist, a deist, a pantheist, and as bearing the number 666 somewhere about him.
A worthy Quaker, a fellow-townsman, was so impressed by his tone of quietistic mysticism that he felt sure the philosophic doctor was guided by "the inward light," and wrote, sending a godly book, and proposing to clinch his conversion in a personal interview. Such are the perils that environ the man who not only repeats a creed in sincerity, but ventures to do and to utter his own thinking about it.
From Browne's own day to the present time his critics and commentators have been numerous and distinguished; one of the most renowned among them being Dr. Johnson, whose life of the author, prefixed to an edition of the 'Christian Morals' in 1756, is a fine specimen of that facile and effective hack-work of which Johnson was master. In that characteristic way of his, half of patronage, half of reproof, and wholly pedagogical, he summons his subject to the bar of his dialectics, and according to his lights administers justice. He admits that Browne has "great excellencies" and "uncommon sentiments," and that his scholarship and science are admirable, but strongly condemns his style: "It is vigorous, but rugged; it is learned, but pedantic; it is deep, but obscure; it strikes, but does not please; it commands, but does not allure; his tropes are harsh and his combinations uncouth."
Behemoth prescribing rules of locomotion to the swan! By how much would English letters have been the poorer if Browne had learned his art of Johnson!
Notwithstanding such objurgations, some have supposed that the style of Johnson, perhaps without conscious intent, was founded upon that of Browne. A tone of oracular authority, an academic Latinism sometimes disregarding the limitations of the unlearned reader, an elaborate balancing of antitheses in the same period,--these are qualities which the two writers have in common. But the resemblance, such as it is, is skin-deep. Johnson is a polemic by nature, and at his best cogent and triumphant in argument. His thought is carefully kept level with the apprehension of the ordinary reader, while arrayed in a verbal pomp simulating the expression of something weighty and profound. Browne is intuitive and ever averse to controversy, feeling, as he exquisitely says, that "many have too rashly charged the troops of error and remain as trophies unto the enemies of truth. A man may be in as just possession of the truth as of a city, and yet be forced to surrender." Calmly philosophic, he writes for kindred minds, and his concepts satisfying his own intellect, he delivers them with as little passion as an Æolian harp answering the wind, and lingers not for applause or explanation. His being
"Those thoughts that wander through eternity,"