"Theer's a mon here," she said. "It's him as we're lookin' fur."
She held the dim little lantern close to the face,—a still face with closed eyes, and blood upon it. Grace knelt down too, his heart aching with dread.
"Is he—" he began, but could not finish.
Joan Lowrie laid her hand upon the apparently motionless breast and waited almost a minute, and then she lifted her own face, white as the wounded man's—white and solemn, and wet with a sudden rain of tears.
"He is na dead," she said. "We ha' saved him."
She sat down upon the floor of the gallery, and lifting his head, laid it upon her bosom, holding it close, as a mother might hold the head of her child.
"Mester," she said, "gi' me th' brandy flask, and tak' thou thy Davy an' go fur some o' the men to help us get him to th' leet o' day. I'm gone weak at last. I conna do no more. I'll go wi' him to th' top."
When the cage ascended to the mouth again with its last load of sufferers, Joan Lowrie came with it, blinded and dazzled by the golden winter's sunlight as it fell upon her haggard face. She was holding the head of what seemed to be a dead man upon her knee. A great shout of welcome rose up from the bystanders.
She helped them to lay her charge upon a pile of coats and blankets prepared for him, and then she turned to the doctor who had hurried to the spot to see what could be done.
"He is na dead," she said. "Lay yore hond on his heart. It beats yet, Mester,—on'y a little, but it beats."