THE CASTING OF PERSEUS
From the 'Memoirs': Symonds's Translation
Abandoned thus to my own resources, I took new courage and banished the sad thoughts which kept recurring to my mind, making me often weep bitter tears of repentance for having left France; for though I did so only to revisit Florence, my sweet birthplace, in order that I might charitably succor my six nieces, this good action, as I well perceived, had been the beginning of my great misfortune. Nevertheless I felt convinced that when my Perseus was accomplished, all these trials would be turned to high felicity and glorious well-being.
Accordingly I strengthened my heart, and with all the forces of my body and my purse, employing what little money still remained to me, I set to work. First I provided myself with several loads of pine-wood from the forests of Serristori, in the neighborhood of Montelupo. While these were on their way, I clothed my Perseus with the clay which I had prepared many months beforehand, in order that it might be duly seasoned. After making its clay tunic (for that is the term used in this art) and properly arming it and fencing it with iron girders, I began to draw the wax out by means of a slow fire. This melted and issued through numerous air-vents I had made; for the more there are of these the better will the mold fill. When I had finished drawing off the wax, I constructed a funnel-shaped furnace all round the model of my Perseus. It was built of bricks, so interlaced, the one above the other, that numerous apertures were left for the fire to exhale it. Then I began to lay on wood by degrees, and kept it burning two whole days and nights.
At length when all the wax was gone and the mold was well baked, I set to work at digging the pit in which to sink it. This I performed with scrupulous regard to all the rules of art. When I had finished that part of my work, I raised the mold by windlasses and stout ropes to a perpendicular position, and suspending it with the greatest care one cubit above the level of the furnace, so that it hung exactly above the middle of the pit. I next lowered it gently down into the very bottom of the furnace, and had it firmly placed with every possible precaution for its safety. When this delicate operation was accomplished, I began to bank it up with the earth I had excavated; and ever as the earth grew higher I introduced its proper air-vents, which were little tubes of earthenware, such as folks use for drains and suchlike purposes. At length I felt sure that it was admirably fixed, and that the filling in of the pit and the placing of the air-vents had been properly performed. I also could see that my workpeople understood my method, which differed very considerably from that of all the other masters in the trade. Feeling confident then that I could rely upon them, I next turned to my furnace, which I had filled with numerous pigs of copper and other bronze stuff. The pieces were piled according to the laws of art; that is to say, so resting one upon the other that the flames could play freely through them, in order that the metal might heat and liquefy the sooner.
At last I called out heartily to set the furnace going. The logs of pine were heaped in, and what with the unctuous resin of the wood and the good draught I had given, my furnace worked so well that I was obliged to rush from side to side to keep it going. The labor was more than I could stand; yet I forced myself to strain every nerve and muscle. To increase my anxieties, the workshop took fire, and we were afraid lest the roofs should fall upon our heads; while from the garden such a storm of wind and rain kept blowing in that it perceptibly cooled the furnace.
Battling thus with all these untoward circumstances for several hours, and exerting myself beyond even the measure of my powerful constitution, I could at last bear up no longer, and a sudden fever of the utmost possible intensity attacked me. I felt absolutely obliged to go and fling myself upon my bed. Sorely against my will, having to drag myself away from the spot, I turned to my assistants,—about ten or more in all, what with master-founders, hand-workers, country fellows, and my own special journeymen; among whom was Bernandino Mannellini of Mugello, my apprentice through several years. To him in particular I spoke:—"Look, my dear Bernandino, that you observe the rules which I have taught you; do your best with all dispatch, for the metal will soon be fused. You cannot go wrong; these honest men will get the channels ready; you will easily be able to drive back the two plugs with this pair of iron crooks; and I am sure that my mold will fill miraculously. I feel more ill than I ever did in all my life, and verily believe it will kill me before a few hours are over." Thus with despair at heart I left them and betook myself to bed.
No sooner had I got to bed than I ordered my serving-maids to carry food and wine for all the men into the workshop; at the same time I cried, "I shall not be alive to-morrow." They tried to encourage me, arguing that my illness would pass over, since it came from excessive fatigue. In this way I spent two hours battling with the fever, which steadily increased, and calling out continually, "I feel that I am dying." My housekeeper, who was named Mona Fiore da Castel del Rio, a very notable manager and no less warm-hearted, kept chiding me for my discouragement; but on the other hand, she paid me every kind attention which was possible. However, the sight of my physical pain and moral dejection so affected her that in spite of that brave heart of hers, she could not refrain from shedding tears; and yet, so far as she was able, she took care I should not see them.
While I was thus terribly afflicted, I beheld the figure of a man enter my chamber, twisted in his body into the form of a capital S. He raised a lamentable, doleful voice, like one who announces their last hour to men condemned to die upon the scaffold, and spoke these words: "O Benvenuto! your statue is spoiled, and there is no hope whatever of saving it." No sooner had I heard the shriek of that wretch than I gave a howl which might have been heard from the sphere of flame. Jumping from my bed, I seized my clothes and began to dress. The maids, and my lad, and every one who came around to help me, got kicks or blows of the fist, while I kept crying out in lamentation, "Ah! traitors! enviers! This is an act of treason, done by malice prepense! But I swear by God that I will sift it to the bottom, and before I die will leave such witness to the world of what I can do as shall make a score of mortals marvel."
When I had got my clothes on, I strode with soul bent on mischief toward the workshop; there I beheld the men whom I had left erewhile in such high spirits, standing stupefied and downcast. I began at once and spoke:—"Up with you! Attend to me! Since you have not been able or willing to obey the directions I gave you, obey me now that I am with you to conduct my work in person. Let no one contradict me, for in cases like this we need the aid of hand and hearing, not of advice." When I had uttered these words, a certain Maestro Alessandro Lastricati broke silence and said, "Look you, Benvenuto, you are going to attempt an enterprise which the laws of art do not sanction, and which cannot succeed."