Much has been written by Chinese authors on scientific subjects, but the substance is remarkable for its extent rather than for its value. In each branch of knowledge they have advanced under foreign influence up to a certain point, and beyond that they have been unable to go. Their knowledge of astronomy, which is of Chaldean origin, is sufficient to enable them to calculate eclipses and to recognize the precession of the equinoxes, but it has left them with confused notions on subjects which are matters of common knowledge among Western people. It is the same in the case of medicine. They understand certain general principles of therapeutics and the use of certain herbs; but their knowledge is purely empirical, and their acquaintance with surgery is of the most elementary kind.
It is perhaps in their novels and plays, however, that the most marked defects in the national mind become apparent. The systems of education and the consequent mental habit in vogue are the outcomes of that lack of imagination which distinguishes the people, and which finds its reflection in all those branches of literature which are more directly dependent on the flow of new and striking ideas. There is little delineation of character either in their novels or their plays. The personages portrayed are all either models of virtue and learning, or shocking examples of ignorance and turpitude. Their actions are mechanical, and the incidents described have little or no connection with one another. The stories are in fact arranged much as a clever child might be expected to arrange them, and they are by no means free from the weary iterations in which untutored minds are apt to indulge. Chinese scholars are conscious of these defects, and attempt to explain them by describing novel-writing as being beneath the serious attention of all those who are interested in learning. This view is commonly accepted by their learned world, who divide literature into four classes, viz., Classics, History, Philosophy, and Belles-lettres. The last of these does not include either romances or plays; and with the exception of two or three standard works of fiction and the 'Hundred Plays of the Yüan Dynasty' (A.D. 1280-1368), no specimens of either of these two classes of literature would ever be found in a library of standing. But this contempt for works of imagination is probably less the cause of their inferiority than the result of it. The Providence which has given Chinamen untiring diligence, inexhaustible memories, and a love of learning, has not vouchsafed to touch their tongues with the live coal of imagination. They are plodding students, and though quite capable of narrating events and of producing endless dissertations on the interpretation of the classics and the true meaning of the philosophy on which they are based, are entirely unprovided with that power of fancy which is able to bring before the eye, as in a living picture, the phantoms of the brain.
SELECTED MAXIMS
On Morals, Philosophy of Life, Character, Circumstances, etc.
From the Chinese Moralists
Filial piety and fraternal submission, are they not the root of all benevolent actions?—Confucian An., Heo Urh (ch. ii.).
The path of duty lies in what is near, and men seek for it in what is remote. The work of duty lies in what is easy, and men seek for it in what is difficult. If each man would love his parents and show due respect to his elders, the whole empire would enjoy tranquillity.—Mencius, Le Low (pt. i., ch. xi.).
Hold faithfulness and sincerity as first principles.—Confucian An., Heo Urh (ch. viii.).
If what we see is doubtful, how can we believe what is spoken behind the back?—Inscription in "Celestial Influence Temple."