I threw my arms round my father's neck, and made no other reply to his last words. It required a mutual effort to break the silence; neither of us made the effort. In the distance the organ continued to grind out the tune as if it too were choked with sobs.
Thus we remained for long, until the day waned.
"Is it not time to go back, sir?"
Yana's interruptions aroused us. Silently my father got up, and with my hand still in his we passed through the graying country, where the twilight already created fantastic shadows. At about a hundred yards from the house he turned round, and made me look once more at the little corner of earth, the hermitage which was to shelter us.
"We will call it Mon Repos!" he said, and he moved on.
Mon Repos! How he lingered over those three syllables. Even thus are certain nocturnes of Chopin prolonged.
When we reached Ambroes farm, we took affectionate farewell of Yana's family. My father thanked them for their welcome, and reminded them of his invitation. He gave Jan a few further instructions about the garden; the lad stood cap in hand, his dark eyes expressive of vivid sympathy.
Yet another "au revoir"; then the carriage drove away, and we turned our backs on the dear village.
Was it still the kermesse organ which obsessed me, lingering above all other sounds, growing fainter and fainter but never quite dying away? And why did I ceaselessly repeat to myself, whatever the music, these three unimportant syllables "Mon Repos"?
The sun was setting when we reached the gates of the town. Country masons, white and dusty, with tools over their shoulder and tins hanging by their side, walked rapidly to the villages which we had left behind. Happy workmen! They were wise to go back to the village, and to leave the hideous slums of West Antwerp to their town comrades.