"Come in. Why in the devil don't you come in? I am just finishing a little landscape, and you must tell me what you think of it."
Then his great back, seeming to elongate, grew up, even to the roof, and the good man laughed silently.
I must do justice to Toubac: he never haggled with me about prices; he bought all my paintings at fifteen florins, one with the other, and sold them again for forty each. "This was an honest Jew!"
I began to grow fond of this mode of existence, and to find new charms in it day by day.
Just at this time the city of Nuremberg was agitated by a strange and mysterious event. Not far from my dormer window, a little to the left, stood the Inn Boeuf-Gras, an old auberge much patronized throughout the country. Three or four wagons, filled with sacks or casks, were always drawn up before the door, where the rustic drivers were in the habit of stopping, on their way to the market, to take their morning draught of wine.
The gable end of the inn was distinguished by its peculiar form. It was very narrow, pointed, and, on two sides, cut-in teeth, like a saw. The carvings were strangely grotesque, interwoven and ornamenting the cornices and surrounding the windows; but the most remarkable fact was that the house opposite reproduced exactly the same sculptures, the same ornaments; even the signboard, with its post and spiral of iron, was exactly copied.
One might have thought that these two ancient houses reflected each other. Behind the inn, however, was a grand old oak, whose somber leaves darkened the stones of the roof, while the other house stood out in bold relief against the sky. To complete the description, this old building was as silent and dreary as the Inn Boeuf-Gras was noisy and animated.
On one side, a crowd of merry drinkers were continually entering in and going out, singing, tripping, cracking their whips; on the other, profound silence reigned.
Perhaps, once or twice during the day, the heavy door seemed to open of itself, to allow a little old woman to go out, with her back almost in a semicircle, her dress fitting tight about her hips, an enormous basket on her arm, and her hand contracted against her breast.
It seemed to me that I saw at a glance, as I looked upon her, a whole existence of good works and pious meditations.