FOOTNOTES:
[1] Henry M. Field, “History of the Atlantic Telegraph.” New York: Scribner, 1866.
[2] “A Century of Electricity.” Boston, Houghton, Mifflin & Co., 1887.
BELL'S TELEPHONIC RESEARCHES
[From “Bell's Electric Speaking Telephones,” by George B. Prescott, copyright by D Appleton & Co., New York, 1884]
In a lecture delivered before the Society of Telegraph Engineers, in London, October 31, 1877, Prof. A. G. Bell gave a history of his researches in telephony, together with the experiments that he was led to undertake in his endeavours to produce a practical system of multiple telegraphy, and to realize also the transmission of articulate speech. After the usual introduction, Professor Bell said in part:
It is to-night my pleasure, as well as duty, to give you some account of the telephonic researches in which I have been so long engaged. Many years ago my attention was directed to the mechanism of speech by my father, Alexander Melville Bell, of Edinburgh, who has made a life-long study of the subject. Many of those present may recollect the invention by my father of a means of representing, in a wonderfully accurate manner, the positions of the vocal organs in forming sounds. Together we carried on quite a number of experiments, seeking to discover the correct mechanism of English and foreign elements of speech, and I remember especially an investigation in which we were engaged concerning the musical relations of vowel sounds. When vocal sounds are whispered, each vowel seems to possess a particular pitch of its own, and by whispering certain vowels in succession a musical scale can be distinctly perceived. Our aim was to determine the natural pitch of each vowel; but unexpected difficulties made their appearance, for many of the vowels seemed to possess a double pitch—one due, probably, to the resonance of the air in the mouth, and the other to the resonance of the air contained in the cavity behind the tongue, comprehending the pharynx and larynx.
I hit upon an expedient for determining the pitch, which, at that time, I thought to be original with myself. It consisted in vibrating a tuning fork in front of the mouth while the positions of the vocal organs for the various vowels were silently taken. It was found that each vowel position caused the reinforcement of some particular fork or forks.