Every other primal gift of man rises to a new height at the bidding of the electrician. All the deftness and skill that have followed from the upright attitude, in its creation of the human hand, have been brought to a new edge and a broader range through electric art. Between the uses of flame and electricity have sprung up alliances which have created new wealth for the miner and the metal-worker, the manufacturer and the shipmaster, with new insights for the man of research. Articulate speech borne on electric waves makes itself heard half-way across America, and words reduced to the symbols of symbols—expressed in the perforations of a strip of paper—take flight through a telegraph wire at twenty-fold the pace of speech. Because the latest leap in knowledge and faculty has been won by the electrician, he has widened the scientific outlook vastly more than any explorer who went before. Beyond any predecessor, he began with a better equipment and a larger capital to prove the gainfulness which ever attends the exploiting a supreme agent of discovery.
As we trace a few of the unending interlacements of electrical science and art with other sciences and arts, and study their mutually stimulating effects, we shall be reminded of a series of permutations where the latest of the factors, because latest, multiplies all prior factors in an unexampled degree.[5] We shall find reason to believe that this is not merely a suggestive analogy, but really true as a tendency, not only with regard to man's gains by the conquest of electricity, but also with respect to every other signal victory which has brought him to his present pinnacle of discernment and rule. If this permutative principle in former advances lay undetected, it stands forth clearly in that latest accession to skill and interpretation which has been ushered in by Franklin and Volta, Faraday and Henry.
Although of much less moment than the triumphs of the electrician, the discovery of photography ranks second in importance among the scientific feats of the nineteenth century. The camera is an artificial eye with almost every power of the human retina, and with many that are denied to vision—however ingeniously fortified by the lens-maker. A brief outline of photographic history will show a parallel to the permutative impulse so conspicuous in the progress of electricity. At the points where the electrician and the photographer collaborate we shall note achievements such as only the loftiest primal powers may evoke.
A brief story of what electricity and its necessary precursor, fire, have done and promise to do for civilization, may have attraction in itself; so, also, may a review, though most cursory, of the work of the camera and all that led up to it: for the provinces here are as wide as art and science, and their bounds comprehend well-nigh the entirety of human exploits. And between the lines of this story we may read another—one which may tell us something of the earliest stumblings in the dawn of human faculty. When we compare man and his next of kin, we find between the two a great gulf, surely the widest betwixt any allied families in nature. Can a being of intellect, conscience, and aspiration have sprung at any time, however remote, from the same stock as the orang and the chimpanzee? Since 1859, when Darwin published his “Origin of Species,” the theory of evolution has become so generally accepted that to-day it is little more assailed than the doctrine of gravitation. And yet, while the average man of intelligence bows to the formula that all which now exists has come from the simplest conceivable state of things,—a universal nebula, if you will,—in his secret soul he makes one exception—himself. That there is a great deal more assent than conviction in the world is a chiding which may come as justly from the teacher's table as from the preacher's pulpit. Now, if we but catch the meaning of man's mastery of electricity, we shall have light upon his earlier steps as a fire-kindler, and as a graver of pictures and symbols on bone and rock. As we thus recede from civilization to primeval savagery, the process of the making of man may become so clear that the arguments of Darwin shall be received with conviction, and not with silent repulse.
As we proceed to recall, one by one, the salient chapters in the history of fire, and of the arts of depiction that foreran the camera, we shall perceive a truth of high significance. We shall see that, while every new faculty has its roots deep in older powers, and while its growth may have been going on for age after age, yet its flowering may be as the event of a morning. Even as our gardens show us the century-plants, once supposed to bloom only at the end of a hundred years, so history, in the large, exhibits discoveries whose harvests are gathered only after the lapse of æons instead of years. The arts of fire were slowly elaborated until man had produced the crucible and the still, through which his labours culminated in metals purified, in acids vastly more corrosive than those of vegetation, in glass and porcelain equally resistant to flame and the electric wave. These were combined in an hour by Volta to build his cell, and in that hour began a new era for human faculty and insight.
It is commonly imagined that the progress of humanity has been at a tolerably uniform pace. Our review of that progress will show that here and there in its course have been leaps, as radically new forces have been brought under the dominion of man. We of the electric revolution are sharply marked off from our great-grandfathers, who looked upon the cell of Volta as a curious toy. They, in their turn, were profoundly differenced from the men of the seventeenth century, who had not learned that flame could outvie the horse as a carrier, and grind wheat better than the mill urged by the breeze. And nothing short of an abyss stretches between these men and their remote ancestors, who had not found a way to warm their frosted fingers or lengthen with lamp or candle the short, dark days of winter.
Throughout the pages of this book there will be some recital of the victories won by the fire-maker, the electrician, the photographer, and many more in the peerage of experiment and research. Underlying the sketch will appear the significant contrast betwixt accessions of minor and of supreme dignity. The finding a new wood, such as that of the yew, means better bows for the archer, stronger handles for the tool-maker; the subjugation of a universal force such as fire, or electricity, stands for the exaltation of power in every field of toil, for the creation of a new earth for the worker, new heavens for the thinker. As a corollary, we shall observe that an increasing width of gap marks off the successive stages of human progress from each other, so that its latest stride is much the longest and most decisive. And it will be further evident that, while every new faculty is of age-long derivation from older powers and ancient aptitudes, it nevertheless comes to the birth in a moment, as it were, and puts a strain of probably fatal severity on those contestants who miss the new gift by however little. We shall, therefore, find that the principle of permutation, here merely indicated, accounts in large measure for three cardinal facts in the history of man: First, his leaps forward; second, the constant accelerations in these leaps; and third, the gap in the record of the tribes which, in the illimitable past, have succumbed as forces of a new edge and sweep have become engaged in the fray.[6]
The interlacements of the arts of fire and of electricity are intimate and pervasive. While many of the uses of flame date back to the dawn of human skill, many more have become of new and higher value within the last hundred years. Fire to-day yields motive power with tenfold the economy of a hundred years ago, and motive power thus derived is the main source of modern electric currents. In metallurgy there has long been an unwitting preparation for the advent of the electrician, and here the services of fire within the nineteenth century have won triumphs upon which the later successes of electricity largely proceed. In producing alloys, and in the singular use of heat to effect its own banishment, novel and radical developments have been recorded within the past decade or two. These, also, make easier and bolder the electrician's tasks. The opening chapters of this book will, therefore, bestow a glance at the principal uses of fire as these have been revealed and applied. This glance will make clear how fire and electricity supplement each other with new and remarkable gains, while in other fields, not less important, electricity is nothing else than a supplanter of the very force which made possible its own discovery and impressment.
[Here follow chapters which outline the chief applications of flame and of electricity.]
Let us compare electricity with its precursor, fire, and we shall understand the revolution by which fire is now in so many tasks supplanted by the electric pulse which, the while, creates for itself a thousand fields denied to flame. Copper is an excellent thermal conductor, and yet it transmits heat almost infinitely more slowly than it conveys electricity. One end of a thick copper rod ten feet long may be safely held in the hand while the other end is heated to redness, yet one millionth part of this same energy, if in the form of electricity, would traverse the rod in one 100,000,000th part of a second. Compare next electricity with light, often the companion of heat. Light travels in straight lines only; electricity can go round a corner every inch for miles, and, none the worse, yield a brilliant beam at the end of its journey. Indirectly, therefore, electricity enables us to conduct either heat or light as if both were flexible pencils of rays, and subject to but the smallest tolls in their travel.