Little Masterpieces of Science: Mind

by Unknown

For us of to-day, who have learned to go to the pure springs of nature for much of our spiritual refreshment, the child has acquired a high place among the things of beauty. Indeed, the grace of childhood may almost be said to have been discovered by the modern poet. Wordsworth has stooped over his cradle intent on catching, ere they passed, the “visionary gleams” of “the glories he hath known.” Blake, R. L. Stevenson, and others, have tried to put into language his day-dreamings, his quaint fancyings. Dickens and Victor Hugo have shown us something of his delicate quivering heart-strings; Swinburne has summed up the divine charm of “children's ways and wiles.” The page of modern literature is, indeed, a monument of our child-love and our child-admiration.

Nor is it merely as to a pure untarnished nature that we go back admiringly to childhood. The æsthetic charm of the infant which draws us so potently to its side and compels us to watch its words and actions is, like everything else which moves the modern mind, highly complex. Among other sources of this charm we may discern the perfect serenity, the happy “insouciance” [unconcern] of the childish mind. The note of world-complaint in modern life has penetrated into most domains, yet it has not, one would hope, penetrated into the charmed circle of childish experience. Childhood has, no doubt, its sad aspect:

Poor stumbler on the rocky coast of woe,
Tutored by pain each source of pain to know:

neglect and cruelty may bring much misery into the first bright years. Yet the very instinct of childhood to be glad in its self-created world, an instinct which with consummate art Victor Hugo keeps warm and quick in the breast of the half-starved ill-used child Cosette, secures for it a peculiar blessedness. The true nature-child, who has not become used-up, is happy, untroubled with the future, knowing nothing of the misery of disillusion. As, with hearts chastened by many experiences, we take a peep over the wall of his fancy-built pleasance, we seem to be taken back to a real golden age. With Amiel, we say: “The little of paradise which still remains on earth is due to his presence.” Yet the thought, which the same moment brings, of the flitting of the nursery visions, of the coming storm and stress, adds a pathos to the spectacle, and we feel as Heine felt when he wrote:

I look at you and sadness
Steals into my heart.

Other and strangely unlike feelings mingle with this caressing, half-pitiful admiration. We moderns are given to relieving the strained attitude of reverence and pity by momentary outbursts of humorous merriment. The child, while appealing to our admiration and our pity, makes a large and many-voiced appeal also to our sense of the laughter in things. It is indeed hard to say whether he is most amusing when setting at naught in his quiet, lordly way, our most extolled views, our ideas of what is true and false, of the proper uses of things, and so forth, or when labouring in his perfectly self-conceived fashion to overtake us and be as experienced and as conventional as ourselves. This ever new play of droll feature in childish thought and action forms one of the deepest sources of delight for the modern lover of childhood.

With the growth of a poetic or sentimental interest in childhood there has come a new and different kind of interest. Ours is a scientific age, and science has cast its inquisitive eye on the infant. We want to know what happens in these first all-decisive two or three years of human life, by what steps exactly the wee amorphous thing takes shape and bulk, both physically and mentally. And we can now speak of the beginning of a careful and methodical investigation of child-nature, by men trained in scientific observation. This line of inquiry, started by physicians, as the German Sigismund, in connection with their special professional aims, has been carried on by a number of fathers and others having access to the infant, among whom it may be enough to name Darwin and Preyer.

This eagerness to know what the child is like, an eagerness illustrated further by the number of reminiscences of early years recently published, is the outcome of a many-sided interest which it may be worth while to analyze.

The most obvious source of interest in the doings of infancy lies in its primitiveness. At the cradle we are watching the beginnings of things, the first tentative thrustings forward into life. Our modern science is before all things historical and genetic, going back to beginnings so as to understand the later and more complex phases of things as the outcome of these beginnings. The same kind of curiosity which prompts the geologist to get back to the first stages in the building up of the planet, or the biologist to search out the pristine forms of life, is beginning to urge the student of man to discover by a careful study of infancy the way in which human life begins to take its characteristic forms.

The appearance of Darwin's name among those who have deemed the child worthy of study suggests that the subject is closely connected with natural history. However man in his proud maturity may be related to Nature, it is certain that in his humble inception he is immersed in Nature and saturated with her. As we all know, the lowest races of mankind stand in close proximity to the animal world. The same is true of the infants of civilized races. Their life is outward and visible, forming a part of nature's spectacle; reason and will, the noble prerogatives of humanity, are scarce discernible; sense, appetite, instinct, these animal functions seem to sum up the first year of human life.