Of that never cold time,
The joy, that, like a clear breeze, went
Through and through the old time!
J. R. Lowell
THE LOST BOOKS OF LIVY.
[It is well known that all the books of the Middle Ages were written by monks, and preserved in manuscript; printing being then an unknown art. These patient scribes had plenty of leisure, and not unfrequently an eye for artistic beauty, especially in the gorgeous style. Hence many monastic manuscripts were richly illuminated, as the phrase is, with Initial Letters of silver or gold, often surrounded with quaint devices, painted in glowing tints of blue, crimson, and purple. Paper was not then invented, and parchment was scarce. Monks generally held Greeks and Romans in contempt, as heathen, and therefore did not scruple to supply themselves with writing material by erasing the productions of classic authors. Early in the nineteenth century it was announced that Signor Maio, an Italian librarian, had discovered valuable Greek and Latin fragments concealed under monkish manuscripts, and that, by chemical processes, he could remove the later writing and bring the ancient to the surface. In this way, “The Republic,” of Cicero, deemed one of his finest works, was brought out from under a Commentary of St. Augustine on the Psalms of David. Such parchments are called Palimpsests; from two Greek words, which signify erased and re-written. The discovery was very exciting to the scholastic world, and many learned men entered into it with absorbing interest. Several of the books of Livy’s lively and picturesque History of Rome are lost; and it was a cherished hope among scholars that they might be discovered by this new process. This explanation is necessary to help some readers to a right understanding of the following story, which is abridged and slightly varied from an English book, entitled, “Stories by an Archæologist.”]
My dear friend, Dubois d’Erville, whose talents might have rendered him remarkable in any walk of literature, allowed the whole of his faculties to be absorbed in days, nights, years of research, upon one special point of literary interest. At school, he had become imbued with a love for classic authors, which, with regard to his favorite Livy, kindled into a passion. He sought eagerly for accounts of discoveries of lost works in palimpsest manuscripts. Finally, he relinquished all other objects of pursuit, and spent many years traversing Europe and Asia, visiting the public libraries and old monasteries, in search of ancient manuscripts. After a long time, when he was forgotten by family, friends, and acquaintances, he returned to Paris. Little was known of his wanderings; but there was a rumor that he formed a romantic marriage, and that his devoted wife had travelled with him among the monasteries of Asia Minor, encountering many hardships and dangers. No one but himself knew where she died.
When he returned to Paris, he brought with him an only child, a girl of nineteen. She had memorable beauty, and great intelligence; but these were less noticed than her simple manners, and tender devotion to her father, whom she almost adored. He took a suite of apartments in the third story of a house, which, before the Revolution, had been the hotel of a nobleman, and surrounded by extensive gardens. It was in the old and solitary Rue Cassette. The gardens had been let out to cow-keepers; but within the enclosure of the house remained some noble trees and flowering shrubs. These apartments had been selected by his daughter Marcelline, on account of the graceful branches of the old lime-trees, which reached close to the windows, and furnished a pleasant shade in summer, when birds chirped gayly among the green foliage. Even in winter, a robin would sometimes sing snatches of song, among the naked branches, as if in return for the crumbs which his pretty patroness never failed to place on the window-sill.