The Courtier’s Good Morrow to his Mistress.

Canst thou love and lie alone?

Morning-star doth now appear,
Wind is hushed and sky is clear;
Come, come away, come, come away!
Canst thou love and burn out day?
Rise, rise, rise!
Daylight do not burn out;
Bells do ring [and] birds do sing,
Only I that mourn out.

From Robert Dowland’s Musical Banquet, 1610. (Lines by the Earl of Essex.)

Change thy mind since she doth change,

Whilst she loved thee best a while,
See how she hath still delayed thee:
Using shows for to beguile,
Those vain hopes that have deceived thee:
Now thou seest, although too late,
Love loves truth which women hate.

Love no more since she is gone,
She is gone and loves another:
Being once deceived by one,
Leave her love but love none other.
She was false, bid her adieu,
She was best but yet untrue.

Love, farewell, more dear to me
Than my life, which thou preservest.
Life, all joys are gone from thee;
Others have what thou deservest.
Oh my death doth spring from hence,
I must die for her offence.

Die, but yet before thou die,
Make her know what she hath gotten,
She in whom my hopes did lie
Now is changed, I quite forgotten.
She is changed, but changèd base,
Baser in so vild a place.

From Thomas Weelkes’ Madrigals of Five and Six Parts, 1600.