[*]The season of peach-blossoms was the only season of marriage in ancient China.

The emperor started, remembering that this celebrated rebel was the terror of his father's throne.

"You have heard my history," the old man continued. "I had been, before my rebellion, in charge of the imperial palace on the lake. Anticipating an evil day, I secretly prepared this retreat for my family; and when my soldiers deserted me at the battle of Ke-chow, and a price was set upon my head, hither I fled with my women and children; and the last alive is my beautiful Teh-leen. With this brief outline of my life, you are at liberty to leave me as you came, or to enter my house, on the condition that you become the protector of my child."

The emperor eagerly turned toward the pavilion, and with a step as light as his own, the erect and stately outlaw hastened to lift the curtain before him. Leaving his guest for a moment in the outer apartment, he entered into an inner chamber in search of his daughter, whom he brought, panting with fear, and blushing with surprise and delight, to her future lover and protector. A portion of an historical tale so delicate as the description of the heroine is not work for imitators, however, and we must copy strictly the portrait of the matchless Teh-leen, as drawn by Le-pih, the Anacreon of Chinese poetry, and the contemporary and favourite of Yuentsoong.

"Teh-leen was born while the morning star shone upon the bosom of her mother. Her eye was like the unblemished blue lily, with its light like the white gem unfractured. The plum-blossom is most fragrant when the cold has penetrated its stem, and the mother of Teh-leen had known sorrow. The head of her child drooped in thought, like a violet overladen with dew. Bewildering was Teh-leen. Her mouth's corners were dimpled, yet pensive. The arch of her brows was like the vein in the tulip's heart, and the lashes shaded the blushes on her cheek. With the delicacy of a pale rose, her complexion put to shame the floating light of day. Her waist, like a thread in fineness, seemed ready to break; yet it was straight and erect, and feared not the fanning breeze; and her shadowy grace was as difficult to delineate as the form of a white bird rising from the ground by moonlight. The natural gloss of her hair resembled the uncertain sheen of calm water, yet without the aid of false unguents. The native intelligence of her mind seemed to have gained strength by retirement, and he who beheld her, thought not of her as human. Of rare beauty, of rarer intellect was Teh-leen, and her heart responded to the poet's lute."

We have not space, nor could we, without copying from the admired Le-pih, venture to describe the bringing of Teh-leen to court, and her surprise at finding herself the favourite of the emperor. It is a romantic circumstance, besides, which has had its parallels in other countries. But the sad sequel to the loves of poor Teh-leen is but recorded on the cold page of history; and if the poet, who wound up the climax of her perfections, with her susceptibility to his lute, embalmed her sorrows in verse, he was probably too politic to bring it ever to light. Pass we to those neglected and unadorned passages of her history.

Yuentsoong's nature was passionately devoted and confiding; and like two brothers with one favourite sister, lived together Teh-leen, Szema, and the emperor. The Tartar prince, if his heart knew a mistress before the arrival of Teh-leen at the palace, owned afterward no other than her; and fearless of check or suspicion from the noble confidence and generous friendship of Yuentsoong, he seemed to live but for her service, and to have neither energies nor ambitions except for the winning of her smiles. Szema was of great personal beauty, frank when it did not serve him to be wily, bold in his pleasures, and of manners almost femininely soft and voluptuous. He was renowned as a soldier, and for Teh-leen, he became a poet and master of the lute; and like all men formed for ensnaring the hearts of women, he seemed to forget himself in the absorbing devotion to his idolatry. His friend, the emperor, was of another mould. Yuentsoong's heart had three chambers—love, friendship, and glory. Teh-leen was but a third in his existence, yet he loved her—the sequel will show how well! In person he was less beautiful than majestic, of large stature, and with a brow and lip naturally stern and lofty. He seldom smiled, even upon Teh-leen, whom he would watch for hours in pensive and absorbed delight; but his smile, when it did awake, broke over his sad countenance like morning. All men loved and honoured Yuentsoong, and all men, except only the emperor, looked on Szema with antipathy. To such natures as the former, women give all honour and approbation; but for such as the latter, they reserve their weakness!

Wrapt up in his friend and mistress, and reserved in his intercourse with his counsellors, Yuentsoong knew not that, throughout the imperial city, Szema was called "the kieu," or robber-bird, and his fair Teh-leen openly charged with dishonour. Going out alone to hunt as was his custom, and having left his signet with Szema, to pass and repass through the private apartments at his pleasure, his horse fell with him unaccountably in the open field. Somewhat superstitious, and remembering that good spirits sometimes "knit the grass," when other obstacles fail to bar our way to danger, the emperor drew rein and returned to his palace. It was an hour after noon, and having dismissed his attendants at the city gate, he entered by a postern to the imperial garden, and bethought himself of the concealed couch in a cool grot by a fountain (a favourite retreat, sacred to himself and Teh-leen), where he fancied it would be refreshing to sleep away the sultriness of the remaining hours till evening. Sitting down by the side of the murmuring fount, he bathed his feet, and left his slippers on the lip of the basin to be unencumbered in his repose within, and so with unechoing step entered the resounding grotto. Alas! there slumbered the faithless friend with the guilty Teh-leen upon his bosom!

Grief struck through the noble heart of the emperor like a sword in cold blood. With a word he could consign to torture and death the robber of his honour, but there was agony in his bosom deeper than revenge. He turned silently away, recalled his horse and huntsmen, and, outstripping all, plunged on through the forest till night gathered around him.

Yuentsoong had been absent many days from his capitol, and his subjects were murmuring their fears for his safety, when a messenger arrived to the counsellors informing them of the appointment of the captive Tartar prince to the government of the province of Szechuen, the second honour of the Celestial empire. A private order accompanied the announcement, commanding the immediate departure of Szema for the scene of his new authority. Inexplicable as was this riddle to the multitude, there were those who read it truly by their knowledge of the magnanimous soul of the emperor; and among these was the crafty object of his generosity. Losing no time, he set forward with great pomp for Szechuen, and in their joy to see him no more in the palace, the slighted princes of the empire forgave him his unmerited advancement. Yuentsoong returned to his capitol; but to the terror of his counsellors and people, his hair was blanched white as the head of an old man! He was pale as well, but he was cheerful beyond his wont, and to Teh-leen untiring in pensive and humble attentions. He pleaded only impaired health and restless slumbers for nights of solitude. Once, Teh-leen penetrated to his lonely chamber, but by the dim night lamp she saw that the scroll over her window[*] was changed, and instead of the stimulus to glory which formerly hung in golden letters before his eyes, there was a sentence written tremblingly in black:—