VIII
THE YELLOW CAT[C]
Wilbur Daniel Steele
At least once in my life I have had the good fortune to board a deserted vessel at sea. I say "good fortune" because it has left me the memory of a singular impression. I have felt a ghost of the same thing two or three times since then, when peeping through the doorway of an abandoned house.
Now that vessel was not dead. She was a good vessel, a sound vessel, even a handsome vessel, in her blunt-bowed, coastwise way. She sailed under four lowers across as blue and glittering a sea as I have ever known, and there was not a point in her sailing that one could lay a finger upon as wrong. And yet, passing that schooner at two miles, one knew, somehow, that no hand was on her wheel. Sometimes I can imagine a vessel, stricken like that, moving over the empty spaces of the sea, carrying it off quite well were it not for that indefinable suggestion of a stagger; and I can think of all those ocean gods, in whom no landsman will
ever believe, looking at one another and tapping their foreheads with just the shadow of a smile.
I wonder if they all scream—these ships that have lost their souls? Mine screamed. We heard her voice, like nothing I have ever heard before, when we rowed under her counter to read her name—the Marionnette it was, of Halifax. I remember how it made me shiver, there in the full blaze of the sun, to hear her going on so, railing and screaming in that stark fashion. And I remember, too, how our footsteps, pattering through the vacant internals in search of that haggard utterance, made me think of the footsteps of hurrying warders roused in the night.
And we found a parrot in a cage; that was all. It wanted water. We gave it water and went away to look things over, keeping pretty close together, all of us. In the quarters the table was set for four. Two men had begun to eat, by the evidences of the plates. Nowhere in the vessel was there any sign of disorder, except one sea-chest broken out, evidently in haste. Her papers were gone and the stern davits were empty. That is how the case stood that day, and that is how it has stood to this. I saw this same Marionnette a week later, tied up to a Hoboken dock, where she awaited news from her owners; but even there, in the midst of all the water-front bustle, I could not get rid of the feeling that she was still very far away—in a sort of shippish other-world.
The thing happens now and then. Sometimes half a dozen years will go by without a solitary wanderer of this sort crossing the ocean paths, and then in a single season perhaps several of them will turn up: vacant waifs, impassive and mysterious—a quarter-column of tidings tucked away on the second page of the evening paper.
That is where I read the story about the Abbie Rose. I recollect how painfully awkward and out-of-place it looked there, cramped between ruled black edges and smelling of landsman's ink—this thing that had to do essentially with air and vast coloured spaces. I forget the exact words of the heading—something like "Abandoned Craft Picked Up At Sea"—but I still have the clipping itself, couched in the formal patter of the marine-news writer: