"Is she a politician?" I asked.

"No; that's the one thing I don't like about her. She is not a bit of a patriot; she makes a joke of her country's wrongs and sufferings. Should you like to meet her? Dine with us the day after to-morrow. She is to be here."


I dined at Lady X——'s on the appointed day, but the Baroness was not there. Urgent family affairs had called her suddenly to Poland.

A week later the assassination of the Czar sent a thrill of horror through the civilized world.


"Don't you think your friend might be held an accessory after the fact to the death of the German?" asked the Novelist, when all the flattering comments, which were many, were at an end. "And an accessory before the fact to the assassination of the Czar?" chimed in the Editor. "Why didn't he go straight from Lady ——'s house to the nearest police-station and put the police on the track of his 'Fascinating Friend'?" "What a question!" the Romancer exclaimed, starting from his seat and pacing restlessly about the deck. "How could any man with a palate for the rarest flavours of life resist the temptation of taking that woman down to dinner? And, besides, hadn't he eaten salt with her? Hadn't he smoked the social cigarette with her? Shade of De Quincey! are we to treat like a vulgar criminal a mistress of the finest of the fine arts? Shall we be such crawling creatures as to seek to lay by the heels a Muse of Murder? Are we a generation of detectives, that we should do this thing?" "So my friend put it to me," said the Critic dryly, "not quite so eloquently, but to that effect. Between ourselves, though, I believe he was influenced more by consideration of his personal safety than by admiration for murder as a fine art. He remembered the fate of the German, and was unwilling to share it." "He adopted a policy of non-intervention," said the Eminent Tragedian, who in his hours of leisure, was something of a politician. "I should rather say of laissez faire, or, more precisely, of laissez assassiner," laughed the Editor. "What was the Fascinating Friend supposed to have in her portmanteau?" asked Beatrice. "What was she so anxious to conceal from the custom-house officers?" "Her woman's clothes, I imagine," the Critic replied, "though I don't hold myself bound to explain all the ins and outs of her proceedings." "Then she was a wonderful woman," replied the fair questioner, as one having authority, "if she could get a respectable gown and 'fixings,' as the Americans say, into a small portmanteau. But," she added, "I very soon suspected she was a woman." "Why?" asked several voices simultaneously. "Why, because she drew him out so easily," was the reply. "You think, in fact," said the Romancer, "that however little its victim was aware of it, there was a touch of the Ewig-weibliche in her fascination?" "Precisely."


THE LOST ROOM

Fitz-James O'Brien