Rossetti died on Easter Day, 1882, at the seashore, near Margate, in Hall Caine's arms. It shows the extent of their friendship that, the bungalow being crowded that night, Caine readily offered to sleep in the death-chamber. "It is Rossetti," he said.

HALL CAINE'S FIRST NOVEL.

Hall Caine then returned to London, and whilst continuing to contribute to various papers, and notably to the "Liverpool Mercury," to which he was attached for years, he wrote his "Recollections of Rossetti," which brought him forty pounds (two hundred dollars) and attracted some attention in literary circles, without, however, enhancing his reputation with the general public. This was followed by "Cobwebs of Criticism," the title he gave to a collection of critical essays, originally delivered as lectures. This book did nothing for him in any way. All this while he had been hankering after novel-writing, and, though Rossetti had always urged him to become a dramatist, he had also encouraged him to write novels, advising him to become the novelist of Manxland. "There is a career there," he used to say, "for nothing is known about this land." The two friends had discussed Hall Caine's plot of "The Shadow of a Crime," which Rossetti had found "immensely powerful but unsympathetic," and it was with this novel that Hall Caine began his career as a writer of fiction. He had married in the meanwhile, and with forty pounds (two hundred dollars) in the bank and an assured income of a hundred (five hundred dollars) a year from the "Liverpool Mercury," he went with his wife to live in a small house in the Isle of Wight, to write his book. "I labored over it fearfully," he says, "but not so much as I do now over my books. At that time I only wanted to write a thrilling tale. Now what I want in my novels is a spiritual intent, a problem of life." "The Shadow of a Crime" appeared first in serial form in the "Liverpool Mercury," and was published in book form by Chatto & Windus in 1885. For the book rights Hall Caine received seventy-five pounds (three hundred and seventy-five dollars), which, with the one hundred pounds (five hundred dollars) from the "Liverpool Mercury," is all that he has ever received from a book which is now in its seventeenth edition. "It had a distinguished reception," he says. "Indeed, it was received with a burst of eulogy from the press; but at the time it produced no popular success, and made no difference in my market value."

There is no man living, perhaps, who has more contempt for money than Hall Caine, revealing himself in this also a true artist; yet to exemplify to a confrère the practical value of what he calls the "literary statesmanship" which he has practised throughout his career, he will sometimes show the little book in which are entered the receipts from his various works. No more striking argument in favor of conscientiousness and literary dignity could be found than that afforded by a comparison between the first page of this account book and the last.

LEZAYRE CHURCH, WHERE PETE AND KATE WERE MARRIED IN "THE MANXMAN."

BEATING THE STREETS OF LONDON IN SEARCH OF WORK.

A time of need followed, during which Hall Caine beat the streets of London in search of work. He offered himself as a publisher's reader in various houses, and was roughly turned away. He suffered slights and humiliations; but these only strengthened his resolve. In this respect he reminds one of Zola, whom slights and humiliations only strengthened also; and in this connection it may be mentioned that there hangs in Hall Caine's drawing-room, in Peel, a pen-and-ink portrait which one mistakes for that of Emile Zola, till one is told that it is the picture of Hall Caine.

The reverses, which it now pleases him to remember, in no wise daunted him. There was his wife and "Sunlocks," his little son, to be provided for; and with fine determination he set to work. In the year 1886 he wrote a "Life of Coleridge" and finished his second novel, "A Son of Hagar." On the fly-leaf of his copy of the "Life of Coleridge" are written the words: "N.B—This book was begun October 8, 1886. It was not touched after that date until October 15th or 16th, and was finished down to last two chapters by November 1st. Completed December 4th to 8th—about three weeks in all. H.C." It is an excellent piece of work, but Caine regrets now that he threw away on a book of this kind all his knowledge of his subject. "I could have written the Life of Coleridge," he says.

"A Son of Hagar" produced three hundred pounds (fifteen hundred dollars), and has now achieved an immense success, but its reception at the time was a feeble one. Hall Caine ground his teeth and clenched his fist and said: "I will write one more book; I will put into it all the work that is in me, and if the world still remains indifferent and contemptuous, I will never write another." In the meanwhile he had decided to follow Rossetti's advice, to write a Manx novel; and having thought out the plot of "The Deemster," went to the Isle of Man to write it. It was written in six months, in one of the lodging-houses on the Esplanade at Douglas, in a fever of wounded pride. "I worked over it like a galley-slave; I poured all my memories into it," he says. In the meanwhile he maintained his family by journalism, being now connected with the best papers in London. "The Deemster" was sold for one hundred and fifty pounds (six hundred dollars), the serial rights having produced four hundred pounds (two thousand dollars). He would be glad to-day to purchase the copyright back for one thousand pounds. He had great faith in this book.