She rose, folded her gloves into a ball and her veil over her hat, and once more faced her reflection in her mother's looking-glass. I had not the courage to tell her that the expression she wore on other occasions suited her best.
"But surely," I argued uneasily, "things are different. If I were to dance, stuck up there on a platform, you know very well it would not be the dancing that would amuse them, but—just me. Would you care for that if you were—well, what I am?"
"Ah, you don't know," a low voice replied bitterly, "you don't know. The snobs they are! I have soaked in it for years, like a pig in brine. Boxed up here in your pretty little doll's house, you suppose that all that matters is what you think of other people. But to be perfectly frank, you are out of the running, my dear. I have to get my own living, and all that matters is not what I think of other people but what other people think of me. Do you suppose I don't know what he, in his heart, thinks of me—and all the rest of them? Well, I say, wait!"
And she left me to my doll's house—a more helpless slave than ever.
Not only one "star" the fewer, then, dazzled St Peter's parish that New Year's Eve, but Fanny and I never again shared an hour's practical astronomy. Still, she would often sit and talk to me, and the chain of my devotion grew heavy. Perhaps she, on her side, merely basked in the flattery of my imagination. It was for her a new variety of a familiar experience. Perhaps a curious and condescending fondness for me for a while sprang up in her—as far as that was possible, for, apart from her instinctive heartlessness, she never really accustomed herself to my physical shortcomings. I believe they attracted yet repelled her. To my lonely spirit she was a dream that remained a dream in spite of its intensifying resemblance to a nightmare.
I realize now that she was desperately capricious, of a cat-like cruelty by nature, and so evasive and elusive that frequently I could not distinguish her soft, furry pads from her claws. But whatever her mood, or her treatment of me, or her lapses into a kind of commonness to which I deliberately shut my eyes, her beauty remained. Whomsoever we love becomes unique in that love, and I suppose we are responsible for what we give as well as for what we accept. The very memory of her beauty, when I was alone, haunted me as intensely as if she were present. Yet in her actual company, it made her in a sense unreal. So, often, it was only the ghost of her with whom I sat and talked. How sharply it would have incensed her to know it. When she came to me in my sleep, she was both paradise and seraph, and never fiddle entranced a Paganini as did her liquid lapsing voice my small fastidious ear. Yet, however much she loved to watch herself in looking-glass or in her mind, and to observe her effects on others, she was not vain.
But the constant, unbanishable thought of anything wearies the mind and weakens the body. In my infatuation, I, too, was scarcely more than a ghost—a very childish ghost perhaps. I think if I could call him for witness, my small pasha in the train from Lyndsey would bear me out in this. As for what is called passion, the only burning of it I ever felt was for an outcast with whom I never shared so much as glance or word. Alas, Fanny, I suppose, was merely a brazen image.
Long before the dark day of her departure—a day which stood in my thoughts like a barrier at the world's end—I had very foolishly poured out most of my memories for her profit and amusement, though so immobile was she when seated in a chair beside my table, or standing foot on fender at the chimney-piece, that it was difficult at times to decide whether she was listening to me or not. What is more important, she told me in return in her curious tortuous and contradictory fashion, a good deal about herself, and of her childhood, which—because of the endless violent roarings of her nautical father, and the taciturn discipline of poor Mrs Bowater—filled me with compassion and heaped fuel on my love. And not least of these bonds was the secret which, in spite of endless temptation, I managed to withhold from her in a last instinctive loyalty to Mrs Bowater—the discovery that her own mother was long since dead and gone.
She possessed more brains than she cared to exhibit to visitors like Dr Phelps and Mr Crimble. Even to this day I cannot believe that Mr Crimble even so much as guessed how clever she was. It was just part of herself, like the bloom on a plum. Hers was not one of those gesticulating minds. Her efforts only intensified her Fannyishness. Oh dear, how simple things are if only you leave them unexplained. Her very knowledge, too (which for the most part she kept to herself) was to me like finding chain armour when one is in search of a beating heart. She could shed it all, and her cleverness too, as easily as a swan water-drops. What could she not shed, and yet remain Fanny? And with all her confidences, she was extremely reticent. A lift of the light shoulders, or of the flat arched eyebrows, a sarcasm, a far-away smile, at the same time illuminated and obscured her talk. These are feminine gifts, and yet past my mastery. Perhaps for this reason I admired them the more in Fanny—just as, in reading my childhood's beloved volume, The Observing Eye, I had admired the crab's cuirass and the scorpion's horny rings—because, being, after all, myself a woman, I faintly understood their purpose.
Thus, when Fanny told me of the school she taught in; and of the smooth-haired drawing-master who attended it with his skill, on Mondays, Wednesdays, and Fridays; and of the vivacious and saturnine "Monsieur Crapaud," who, poked up in a room under the gables, lived in the house; or of that other parish curate who was a nephew of the head-mistress's, the implacable Miss Stebbings, and who, apparently, preached Sunday after Sunday, with peculiar pertinacity, on such texts as "God is love"—when Fanny recounted to me these afflictions, graces, and mockeries of her daily routine as "literature" mistress, I could as easily bestow on her the vivifying particulars she left out, as a painter can send his portraits to be framed.