But in hair and complexion, possibly in ways, too, I harked back to an aunt of hers, Kitilda, who had died of consumption in her early twenties. I loved to hear stories of my great-aunt Kitilda. She sang like a bird, twice ran away from her convent school, and was so fond of water that an old gentleman (a friend of Mr Landor's, the poet) who fell in love with her, called her "the Naiad."
My mother, in her youth at Tunbridge Wells, had been considered "a beauty," and had had many admirers—at least so Mrs Ballard, our cook, told Pollie: "Yes, and we know who might have turned out different if things hadn't been the same," was a cryptic remark she once made which filled two "little pitchers" to overflowing. Among these admirers was a Mr Wagginhorne who now lived at Maidstone. He had pocketed his passion but not his admiration; and being an artist in the same sense that my father was an author, he had painted my mother and me and a pot of azaleas in oils. How well I remember those interminable sittings, with the old gentleman daubing along, and cracking his beloved jokes and Kentish cobbs at one and the same time. Whenever he came to see us this portrait was taken out of a cupboard and hung up in substitution for another picture in the dining-room. What became of it when Mr Wagginhorne died I could never discover. My mother would laugh when I inquired, and archly eye my father. It was clear, at any rate, that author was not jealous of artist!
My mother was gentle with me, and had need to be; and I was happier in her company than one might think possible in a world of such fleetingness. I would sit beside her workbox and she would softly talk to me, and teach me my lessons and small rhymes to say; while my own impulse and instinct taught me to sing and dance. What gay hours we shared. Sewing was at first difficult, for at that time no proportionate needles could be procured for me, and I hated to cobble up only coarse work. But she would give me little childish jobs to do, such as arranging her silks, or sorting her beads, and would rock me to sleep with her finger to a drone so gentle that it might have been a distant bee's.
Yet shadows there were, before the darkness came. Child that I was, I would watch gather over her face at times a kind of absentness, as if she were dreaming of something to which she could give no name, of some hope or wish that was now never to be fulfilled. At this I would grow anxious and silent, doubting, perhaps, that I had displeased her; while, to judge from her look, I might not have been there at all.
Or again, a mischievousness and mockery would steal into her mood. Then she would treat me as a mere trivial plaything, talking small things to me, as if our alphabet consisted of nothing but "little o"—a letter for which I always felt a sort of pity: but small affection. This habit saddened my young days, and sometimes enraged me, more than I can say. I was always of a serious cast of mind—even a little priggish perhaps; and experience had already taught me that I could share my mother's thoughts and feelings more easily than she could share mine.
Chapter Two
When precisely I began to speculate why I was despatched into this world so minute and different I cannot say. Pretty early, I fancy, though few opportunities for comparison were afforded me, and for some time I supposed that all young children were of my stature. There was Adam Waggett, it is true, the bumpkin son of a village friend of Mrs Ballard's. But he was some years older than I. He would be invited to tea in the kitchen, and was never at rest unless stuffing himself out with bread-and-dripping or dough-cake—victuals naturally odious to me; or pestering me with his coarse fooling and curiosity. He was to prove useful in due season; but in those days I had a distaste for him almost as deep-rooted as that for "Hoppy," the village idiot—though I saw poor Hoppy only once.