Some reference must be made to the famous fronts in Watergate Street, where is “God’s Providence House.” About the only piece of the original timber-work remaining is the beam with the inscription reminiscent of the plague, which in 1647 so ravaged the city.
Lower down the street is “Bishop Lloyd’s Palace” with its series of panels containing interesting and quaint renderings of sacred subjects. Further down the street one comes to Stanley Palace, which now has no frontage to the street, and hides the attraction of a fine flank up a passage. This is a notable specimen of Jacobean Renaissance as applied to timber work, showing but few traces of the almost forgotten Gothic which dictated its construction.
Among the minor examples may be mentioned a row of quaint little dwellings in Park Street facing the city walls. Of these “Nine Houses” but six are now standing. They have suffered from the insertion of incongruous sash windows, but this has not deprived them of all their interest. One may still admire the handiwork of the old carpenters who there so effectively employed the billet-moulds to the timbers and the chevron cutting on the beams.
HOUSE: WHITEFRIARS: CHESTER.
Exemplifying a later manner and different treatment, the house in Whitefriars is reserved as the last of this brief review. This bit of seventeenth century work with its widely overhanging upper portion, and the raised plaster ornament in the gables, with the date 1658, may claim to be regarded as not the least interesting of the “memorials” we have been considering.
Those who esteem the half-timbered work as among the county’s chief antiquarian attractions and architectural assets—indeed all who feel the fascination of the style—cannot but welcome the reversion to the type and the revival of the manner in recent years.
Among the patrons of the building arts none was more susceptible to the peculiar charm of this “nogging-work” than the late Duke of Westminster, who caused to be erected on his Eaton estate numerous buildings faithfully reproducing the forms and features of their Cheshire prototypes. In this work his Grace was fortunate in having at command the services of an architect, Mr. John Douglas, than whom no one has been more successful in recapturing the spirit of the old timber-work. To the late Duke’s liking for and desire to keep up the “Cheshire style” of architecture, Chester itself owes much that has been done towards preserving and also perpetuating the traditional character of its buildings. It is a matter for congratulation that the lead given has been so loyally followed, both by the Corporation and by the citizens. Another notable instance of revival is to be seen at Bidston Court in the Wirral; when this fine half-timbered house was built a few years ago, an actual and accurate reproduction of those bays at Old Moreton Hall was embodied therein.
By way of summing up the subject, the following words from Ruskin may perhaps be not out of place:—
“If indeed there be any profit in our knowledge of the past, or any joy in the thought of being remembered hereafter, which can give strength to present exertion or patience to present endurance, there are two duties respecting national architecture whose importance it is impossible to overrate: the first, to render the architecture of the day historical; and, the second, to preserve, as the most precious of inheritance, that of past ages.”