The Bracelet.] Little survives, even in literary memories, of François Tristan l'Hermite (1601-1655), except the success of his Marianne (Mariamne), 1636, one of the most famous French tragedies of the period outside Corneille. M. Ed. Fournier gave him a niche in Crépet's Poètes Français (Paris, 1861), ii. 539-52, but did not include the original of this piece. The In Memoriam rhyme-order, though the line lengths are different, is interesting. Stanley had perhaps borrowed, before translating it, the 'soft fetters of her hair', noted above, though the fancy is of course primaeval and perennial.
The Kiss.
When on thy lip my soul I breathe,
Which there meets thine,
Freed from their fetters by this death
Our subtle forms combine;
Thus without bonds of sense they move,
And like two Cherubins converse by love.