[31] In the present edition the very numerous notes subscribed with the initial N. will point out the unusual interpolations or substitutions made upon the original text by Niccols; as the [brackets] in the text also show the words, lines, and passages wholly omitted in the edition of 1610.
[32] To select only three may be sufficient. “I account (says Sir Philip Sydney, in the Defence of Poesy) the Mirrour of Magistrates meetly furnished of beautiful parts.” That profound critic, Edmund Bolton, says: “Among the lesser late poets, George Gascoigne’s work may be endur’d. But the best of those times (if Albion’s England be not preferr’d) for our business is, the Mirrour of Magistrates, and in that Mirrour Sackvil’s Induction,” &c. And Oldys, in his preface before The British Muse, examining the reign of Elizabeth, observes: “At that time came out the fine collection, called The Mirror for Magistrates. This piece was done by several hands. It represents pathetically the falls of many great and unfortunate men of our nation, and beautifully advises others to avoid following their example. Besides the particular praises given this work by Sir Philip Sidney and Mr. Edmund Bolton, (another judicious critick, who writes not long after him;) that it received the general approbation, appears from its having been three or four times reprinted. Every impression had new additions from other eminent hands, amongst whom the Earl of Dorset is not the least conspicuous.”
[33] John Higgins was born about 1544. He was educated at Christ Church, and in 1572 describes himself as late student at Oxford. He did not learn the tongues or begin to write until he was twenty years of age, and then studied, chiefly, French and Latin. At twenty-five he taught grammar for about two years, and spent as much time in enlarging Huloet’s Dictionary. He also translated phrases from Aldus, the Flowers of Terence, and wrote, with divers other works, the first part of the Mirror for Magistrates before he was thirty. This brief account is related by himself in some lines preserved in a note at the end of the legend of Mempricius. (See vol. i. p. 102.) In December 1586, while residing at Winsham, in Somersetshire, or, as Wood has it, in Surrey, he prepared and edited, as already noticed, the best edition extant of the present work. Before 1602, it is not improbable, he had established a school at Winsham, or taken orders, for in that year he published a tract upon a subject of theological controversy. The time of his death is uncertain. For a list of his works see Wood’s Athenæ Oxonienses, vol. i. col. 734, ed. 1813.
[34] Thomas Blenerhasset was probably a descendant from the ancient family of that name which flourished in Norfolk temp. Hen. 8. of whom Jane B. is named by Skelton in the Crown of Laurel as one of the bevy of beauties attendant upon the noble Countess of Surrey; and John B. married the daughter of Sir John Cornwallis, knt. the steward of the household to Prince Edward. Our author was educated at Cambridge, and having adopted a military life, was in 1577 stationed in the Island of Guernsey, and there composed his portion of the present work. As the printer, in the following year, tells us the author was “beyond the seas,” it is probable he had then accompanied his regiment to Ireland, where he went as a captain, settled and “purchased an estate. He died about the beginning of the reign of King Charles I. and was the author of Directions for the Plantation in Ulster, London, 1610.” History and Antiquities of Ireland, by Walter Harris, 1764, vol. ii. p. 333.
[35] The note vol. i. p. 371. is a misprint for “of th’ armed Picts.”
[36] George Ferrers was born at or near St. Albans, in Hertfordshire, educated at Oxford, and afterwards became a barrister of Lincoln’s Inn. In his juridical pursuit he published, The great Charter called in latyn Magna Carta, with diuers olde statvtes, &c. Colophon, Thus endeth the booke called Magna Carta translated out of Latyn and Frenshe into Englysshe by George Ferrers. Imprynted at London in Paules church yerde at the signe of the Maydens head by Thomas Petyt. M. D. XLII. An earlier edition was printed without date. He was a polished courtier, and esteemed favourite with Henry the 8th, although that capricious monarch, for some offence, the nature of which has not been discovered, committed him to prison in 1542, in which year he was returned member of parliament for the town of Plymouth. The anger of the king was probably not of long duration, as, in addition to other rewards, he bequeathed him a legacy of an hundred marks. He appears to have served in the suite of the protector Somerset, and was one of the commissioners in the army in the expedition into Scotland. By Edward the VIth he was made Lord of Misrule: an appointment to which genius and talent only could pretend, or give its needed prominence and effect. A warrant was issued, on the 30th November, 1552, to pay him, being appointed to be Lord of the Pastimes for the Christmas, 100l. towards the necessary charges. And the honest chronicler Stowe, gives the following account of the jovial pastime and eclat which attended the keeping this annual feast. “The king kept his Christmas with open houshold at Greenewich, George Ferrers gentleman of Lincolns Inne, being lord of the merrie disportes all the twelue daies, who so pleasantly and wisely behaued himselfe, that the king had great delight in his pastimes. On Monday the fourth of January, the said lord of merry disportes came by water to London, and landed at the tower wharfe, entered the tower, and then rode through tower streete, where he was receiued by Sergeant Vawce lord of misrule, to John Mainard one of the Sherifs of London, and so conducted through the citie with a great company of yoong lords and gentlemen to the house of sir George Barne lord maior, where he with the chiefe of his company dined, and after had a great banket, and at his departure, the lord maior gaue him a standing cup with a couer of siluer and gilt, of the value of ten pound for a reward, and also set a hogshead of wine and a barrel of beere at his gate for his traine that followed him: the residue of his gentlemen and seruants dined at other aldermens houses, and with the sherifs, and so departed to the tower wharfe againe, and to the court by water, to the great commendation of the maior and aldermen, and highly accepted of the king and councell.” In the reign of queen Elizabeth he again held the appointment of Lord of Misrule in the court, and as such devised and penned a poetical address which was spoken to her majesty before the princely pleasures of Kenelworth-castle, 1576. He is one of the most prominent contributors to the Mirror for Magistrates, and was undoubtedly intimate with all the leading persons that assembled together for the purpose of completing that work. I think it is probable that the edition of 1578, which has many exclusive alterations, and his two legends of the Duke and Duchess of Gloucester, so long withheld, then first inserted, was edited by him. He died at Flamstead in Hertfordshire, whereupon administration was granted May 18, 1579.
[37] Master Cavyll. Of this writer not any particulars are known.
[38] Thomas Chaloner, born in London about the year 1515, was descended from an ancient family of Denbigh in Wales. He studied at both Universities. Having accompanied Sir Henry Knevet, embassador from Hen. VIII. to the emperor Charles Vth, he afterwards was with that emperor in the expedition against Algiers in 1541. Upon his return to his native country, he became a favourite with the protectour Somerset, and for his gallant conduct at the battle of Musselburgh in 1547, “the protectour,” says Lloyd, “honoured him with a knighthood, and his Lady with a jewel, the delicate and valiant man at once pleasing Mars and his Venus too.” He went embassador with Sir William Pickering into France, 1553. Being a consistent protestant, he remained unshaken during the turbulent period of Queen Mary, devoting his time in retirement to literature, and then wrote his contribution to the Mirrour for Magistrates. Immediately upon the accession of Elizabeth, he was again called into active life, and successively her embassadour to the Emperor Ferdinand, and to Philip king of Spain, from which last, in consequence of his irksome situation, he obtained a recal in 1564, by addressing an Elegy, written in imitation of Ovid, to Elizabeth. He probably did not afterwards meddle with public affairs, dying at his own residence which he had built upon Clerkenwell Close, on Oct. 10th, 1565, and on the 20th was buried at St. Paul’s. His publications are enumerated in the Biographia Britannica, and Wood’s Ath. Oxon. Vol. I. col. 346; but his productions as an English poet are of recent discovery. In the Nugæ Antiquæ, edited by Mr. Park, 1804, Vol. II. p. 372, is the Epistle of Helen to Paris, translated from Ovid, by Sir Thomas Chaloner, Knt. which, from the date of the manuscript, and the contemporary testimony, now first discovered, in proof of his having indulged his Muse in her native tongue, may with confidence be assigned to his pen. The authority for the appropriation to him of the Legend of the Duke of Norfolk, is given in Vol. II. p. 53. In that authority he is called Master Chaloner some years after his obtaining knighthood, and from that circumstance George Puttenham might allude to him when he praises “For Eglogue and pastorall poesie, Sir Philip Sydney and Maister Challenner, and that other Gentleman who wrate the late shepheardes callender,” although otherwise from the date of the Art of Poesy, being 1580, it might rather be transferred to his son, who was born 1559, and is said to have discovered at the University extraordinary talents in Latin and English poetry.
[39] Thomas Phaer is supposed to have been born in Pembrokeshire. He was educated, at Oxford, and afterwards became a student in the inns of court, and describes himself in 1558 “Sollicitour to the king and quenes maiesties, attending their honorable counsaile in the Marches of Wales.” From some unknown circumstance he suddenly quitted the practice of the law for that of physick, obtaining his degrees at Oxford, and was confirmed doctor March 21, 1558-9. In both professions his ready pen contributed several popular works to promote their general practice. As a poet, the first appearance of his name is prefixed to a few lines before Peter Betham’s Precepts of War, 1543. In May 1555, then residing in a house, which he possessed for a long term of years, in Kilgarran Forest, Pembrokeshire, he began to translate the Æneid of Virgil into English rhyme, which had not before been attempted. In this he proceeded at his leisure, and printed the first seven books in 1558, which were afterwards continued as far as part of the tenth, and left incomplete by his death. This work obtained him considerable reputation with contemporary scholars and critics. He was esteemed by William Webbe in the Discourse of English Poetry, 1586, as the best of those who had taken profitable pains in translating the Latin poets: and the encomiast also gives passages from the translation in proof of his own assertion of the meetness of our speech to receive the best form of poetry. Puttenham also praises “Phaer and Golding for a learned and well corrected verse, specially in translation, clear and very faithfully answering their author’s intent.” All that could be found of this work was added to the part already in print, and posthumously published by his friend William Wightman in 1562, who has given two verses at the end of the volume received from Phaer the day before his death, subscribed with his left hand, the use of the right being taken away through the hurt whereof he died. His will, dated August 12, 1560, was proved the June following, and he thereby directed his “boddie to be buried in the parish church of Kilgarran, [adding] with a stone vppon my grave in manner of a marble stone with suche scripture there vpon grauen, in brasse, as shalbe deuised by my friende master George Ferris.” An epitaph upon him is to be found with Eglogs, Epytaphes, and Sonnettes, newly written by Barnaby Googe, 1563, or in Reed’s Shakespeare, vol. ii. p. 103, n. and a Latin one by the author described in the last note, in the Miscellanea Chaloneri, 1579.
[40] William Baldwin is supposed by Wood to have been a west-countryman, and having studied several years in logic and philosophy at Oxford, supplicated for a degree in arts in January 1532. The scanty materials of his life neither shew his early pursuits nor connections. In 1549 he subscribes himself “seruaunt with Edwarde Whitchurche,” the printer; but what was his immediate station and dependance upon the press is uncertain, although he appears to have found employment therefrom for several years. It is conjectured by Herbert, that he was “one of those scholars who followed printing in order to forward the reformation,” and therefore submitted to the labour of correcting the press. Whatever department he filled, he was not considered an unfit associate by the best scholars. Besides, he was a court poet, as is shown by the following note from the Apology, by Mr. G. Chalmers. “A letter was written, on the 28th January, 1552-3, to Sir Thomas Carwerden, the master of the revels, to furnish William Baldwin, who was appointed to set forth a Play, before the King, upon Candlemas-day, at night, with all necessaries.” That he was very little dependant upon this occupation, appears by his answer to the printer, on his being counselled by many “both honourable and worshipful,” to continue Lydgate; for he refused “utterly to undertake it.” Such an answer to the solicitations of those who by birth and pursuits must have been considered the patrons of literature, can be little expected from the “servant” of the printer. In 1563 he tells his reader he has “bene called to another trade of lyfe,” and believed to have then taken orders, and commenced schoolmaster. With the exception of Sir Thomas Chaloner, he was probably the oldest man of the number who met by general assent to devise the continuation of Lydgate, and therefore made to 'vsurpe Bochas rome’, to hear the complaints of the princes: But another reason for fixing upon him, might be his long connection with the press. One of the earliest of his pieces was a treatise of Moral Philosophy, printed for E. Whitchurche, 1549, and speedily, and unblushingly adopted by Thomas Palfreyman. This compilation was nearly as popular as the Mirror for Magistrates, and went through many editions. “Keepe a smooth plain forme in my eloquence (says Tom Nash) as one of the Lacedemonian Ephori, or Baldwin in his morrall sentences, which now are all snatched up for painters’ posies.” (Haue with you to Saffron Walden, 1596.) He also penned The Funeralles of King Edward the sixt, “before his corse was buryed,” though not printed until 1560. The furniture of this poem seems a retouching after the Mirrour was commenced, vide British Bibliographer, Vol. II. p. 97. His other pieces are all enumerated in Wood’s Ath. Ox. Vol. I. col. 342. At what place and when he died is not known. There was a William Baldwin of Barrowe in the County of Lincoln, who died 1567, possessing Lands and Tenements in the territories of Normandy, Therilbie, Darbie, and Burton co. Lincoln; leaving four sons, William, Thomas, Edward, and Francis: but it is not easy to identify either father or son with our