Decked out in crimson, gemmed with syenite,
Hailing their fellows by outrageous names
The pirates sat and diced. Their eyes were moons.
“Doubloons!” they said. “The words crashed gold.
Doubloons!”
Hilda Conkling
Hilda Conkling, most gifted of recent infant prodigies, was born at Catskill-on-Hudson, New York, October 8, 1910. The daughter of Grace Hazard Conkling (see page [207]), she came to Northampton, Massachusetts, with her mother when she was three years old and has lived there since, a normal out-of-doors little girl.
Hilda began to write poems—or rather, to talk them—at the age of four. Since that time, she has created one hundred and fifty little verses, many of them astonishing in exactness of phrase and beauty of vision. Hilda “tells” her poem and her mother copies it down, arranges the line-divisions and reads it to the child for correction. Conceding a possible half-conscious shaping by Mrs. Conkling, the quality which shines behind all of Hilda’s little facets of loveliness is a straightforward ingenuousness, a childlike but sweeping fantasy.
Poems by a Little Girl (1920), published when Hilda was a little more than nine years old, is a detailed proof of this delightful quality. Every poem bears its own stamp of unaffected originality; “Water,” “Hay-Cock,” and a dozen others are startling in their precision and a power of painting the familiar in unsuspected colors. This child not only sees, feels and hears with the concentration of a child-artist, she communicates the results of her perceptions with the sensitivity of a master-craftsman. She hears a chickadee talking
The way smooth bright pebbles