This late hour, yet glad enough
They have not withheld from me
Their high hospitality.
So, with face lit with delight
And all gratitude, I stay
Yet to press their hands and say,
“Thanks.—So fine a time! Good night.”
Eugene Field
Although born (September 3, 1850) in St. Louis, Missouri, Eugene Field belongs to the literature of the far West. Colorado and the Rocky Mountain region claimed him as their own and Field never repudiated the allegiance; he even called most of his poetry “Western Verse.”
Field’s area of education embraced New England, Missouri, and what European territory he could cover in six months. At twenty-three he became a reporter on the St. Louis Evening Journal, the rest of his life being given, with a dogged devotion, to journalism. Driven by the demands of his unique daily columns (those on the Denver Tribune [1881–1883] and the Chicago Daily News [1883–1895] were widely copied), Field first capitalized and then standardized his high spirits, his erudition, his whimsicality, his fondness for children. He wrote so often with his tongue in his cheek that it is difficult to say where true sentiment stops and an exaggerated sentimentality begins. “Field,” says Fred Lewis Pattee, in his detailed study of American Literature Since 1870, “more than any other writer of the period, illustrates the way the old type of literary scholar was to be modified and changed by the newspaper. Every scrap of Field’s voluminous product was written for immediate newspaper consumption. He patronized not at all the literary magazines, he wrote his books not at all with book intent—he made them up from newspaper fragments.... He was a pioneer in a peculiar province: he stands for the journalization of literature, a process that, if carried to its logical extreme, will make of the man of letters a mere newspaper reporter.”