[14] From Poems by G. K. Chesterton. Copyright by the John Lane Co. and reprinted by permission of the publishers.


Wilfrid Wilson Gibson

Born at Hexam in 1878, Wilfrid Wilson Gibson has published almost a dozen books of verse—the first four or five (see Preface) being imitative in manner and sentimentally romantic in tone. With The Stonefolds (1907) and Daily Bread (1910), Gibson executed a complete right-about-face and, with dramatic brevity, wrote a series of poems mirroring the dreams, pursuits and fears of common humanity. Fires (1912) marks an advance in technique and power. And though in Livelihood (1917) Gibson seems to be theatricalizing and merely exploiting his working-people, his later lyrics recapture the veracity of such memorable poems as "The Old Man," "The Blind Rower," and "The Machine." Hill-Tracks (1918) attempts to capture the beauty of village-names and the glamour of the English countryside.

PRELUDE

As one, at midnight, wakened by the call
Of golden-plovers in their seaward flight,
Who lies and listens, as the clear notes fall
Through tingling silence of the frosty night—
Who lies and listens, till the last note fails,
And then, in fancy, faring with the flock
Far over slumbering hills and dreaming dales,
Soon hears the surges break on reef and rock;
And, hearkening, till all sense of self is drowned
Within the mightier music of the deep,
No more remembers the sweet piping sound
That startled him from dull, undreaming sleep;
So I, first waking from oblivion, heard,
With heart that kindled to the call of song,
The voice of young life, fluting like a bird,
And echoed that light lilting; till, ere long,
Lured onward by that happy, singing-flight,
I caught the stormy summons of the sea,
And dared the restless deeps that, day and night,
Surge with the life-song of humanity.

THE STONE[15]

"And will you cut a stone for him,
To set above his head?
And will you cut a stone for him—
A stone for him?" she said.

Three days before, a splintered rock
Had struck her lover dead—
Had struck him in the quarry dead,
Where, careless of the warning call,
He loitered, while the shot was fired—
A lively stripling, brave and tall,
And sure of all his heart desired ...
A flash, a shock,
A rumbling fall ...
And, broken 'neath the broken rock,
A lifeless heap, with face of clay;
And still as any stone he lay,
With eyes that saw the end of all.