But perhaps there may be here some intelligent stranger who asks me to define an expression which is now and then heard on these occasions: "What is this New England of which you speak so seldom and so reluctantly? Is it a place?" Yes, it is a place; not indeed only a place, but it is a place; and he cannot know New England who has not traversed it from Watch Hill to Mount Washington, from Champlain to Passamaquoddy. In no other wise can one realize how the sterile soil and the bleak winds and the short summer have been the rugged parents of that thrift, that industry, that economy, that regard for the small savings, which have made New England the banker of America. As the population grew beyond the capacity of the soil, her sons from her myriad harbors swarmed out upon the sea, an army of occupation, and annexed the Grand Banks, making them national banks before the days of Secretary Chase. [Laughter.] When the limits of agriculture were reached, they enslaved the streams, and clothed the continent. They gathered hides from Iowa and Texas, and sold them, in the shape of boots, in Dubuque and Galveston. Sterile New England underlaid the imperial Northwest with mortgages, and overlaid it with insurance. I chanced to be in Chicago two or three days after the great fire of 1871. As I walked among the smoking ruins, if I saw a man with a cheerful air, I knew that he was a resident of Chicago; if I saw a man with a long face, I knew that he represented a Hartford insurance company. [Laughter.] Really, the cheerful resignation with which the Chicago people endured the losses of New England did honor to human nature. [Laughter.]

Perhaps it is well that New England is not yet more sterile, for it would have owned the whole of the country, and would have monopolized all the wealth, as it has confessedly got a corner on all the virtues.

And while the narrow limit of the season, called by courtesy "summer," has enforced promptness and rapidity of action, the long winters have given pause for reflection, have fostered the red school-house, have engendered reading and discussion, have made her sons and her daughters thoughtful beings.

The other day, in reading the life of a New England woman,[8] I met with a letter written when she was seventeen years old: "I have begun reading Dugald Stewart. How are my sources of enjoyment multiplied. By bringing into view the various systems of philosophers concerning the origin of our knowledge, he enlarges the mind, and extends the range of our ideas, ... while clearly distinguishing between proper objects of inquiry and those that must forever remain inexplicable to man in the present state of his faculties. Reasonings from induction are delightful." [Laughter.]

I think you will agree with me that only where there was a long winter, and long winter evenings, would such a letter be written by a girl in her teens.

The question has often been asked why there are so many poets in New England. A traveller passing through Concord inquired, "How do all these people support themselves?" The answer was, "They all live by writing poems for 'The Atlantic Monthly.'" [Laughter.]

Now, any one who thinks of it must see that it is the weather which makes all these poets, or rather the weathers, for there are so many. As Mr. Choate said: "Cold to-day, hot to-morrow; mercury at eighty in the morning, with wind at southeast; and in three hours more a sea-turn, wind at east, a thick fog from the bottom of the ocean, and a fall of forty degrees; now, so dry as to kill all the beans in New Hampshire; then, a flood, carrying off the bridges on the Penobscot; snow in Portsmouth in July, and the next day a man and a yoke of oxen killed by lightning down in Rhode Island." [Laughter.]

The commonplace question: "How is the weather going to be?" gives a boundless play to the imagination, and makes a man a poet before he knows it. And then a poet must have grand subjects in nature. And what does a poet want that he does not find in New England? Wooded glens, mysterious ravines, inaccessible summits, hurrying rivers; the White Hills, keeping up, as Starr King said, "a perpetual peak against the sky"; the Old Man of the Mountains looking down the valley of the Pemigewasset, and hearing from afar the Ammonoosuc as it breaks into a hundred cataracts; Katahdin, Kearsarge, setting its back up higher than ever since that little affair off Cherbourg; the everlasting ocean inviting to adventure, inspiring to its own wild freedom, and making a harbor in every front yard, so that the hardy mariner can have his smack at his own doorstep. [Laughter.] (Need I say I mean his fishing-smack?) What more can a poet desire?

And then life in New England, especially New England of the olden time, has been an epic poem. It was a struggle against obstacles and enemies, and a triumph over nature in behalf of human welfare.

What would a poet sing about, I wonder, who lived on the Kankakee Flats? Of course, the epic poet must have a hero, and an enemy, and a war. The great enemy in those parts is shakes; so, as Virgil began, "I sing of arms and the man," the Kankakee poet would open: