As a leader of three thousand cavalrymen the youthful General Bayard [great cheers], proud of his Dutch descent, fell on the heights of bloody Fredericksburg. Like the good knight, he was "without fear and without reproach." Full of zeal for the cause, the bravest of the brave, his sword flashed always where dangers were the thickest. When a bursting shell left him dead on the field of honor, his brave men mourned him and the foe missed him. [Cheers.]
In the leaden tempest which rained around Drury's Bluff, a boyish officer led a column of riflemen, gallant and daring. His uniform was soiled with the grim dirt of many a battle, but his bright blue eye took in every feature of the conflict. The day was just closing when an angry bullet pierced his throat as he was cheering on his men, and the young life of my college friend, Abram Zabriskie, of Jersey City, as chivalric a Dutch colonel as ever drew a blade in battle, was breathed out in the mighty throes of civil war. [Applause.]
As we picture to ourselves the appearance of that grand figure of William of Orange, as he led his heroic people through and out of scenes of darkness and hunger and death into the sweet light of freedom; as we turn the pages of history that recount the deeds of glory of Vander Werf, the burgomaster of Leyden; of Count Egmont and Count Horn, of de Ruyter and Van Tromp, let us not forget that the same sturdy stock has developed in the New World the same zeal for human rights, the same high resolves of duty, the same devotion to liberty. If ever again this nation needs brave defenders, your sons and mine will, I trust, be able to show to the world that the patriotism of Dutchmen, that true Dutch valor, still fills the breasts of the soldiers of America! [Prolonged cheering.]
SIR ARTHUR SULLIVAN
MUSIC
[Speech of Sir Arthur Sullivan at the annual banquet of the Royal Academy, May 2, 1891. Sir Frederic Leighton, President of the Academy, occupied the chair. "In response for Music," said the President, "I shall call on a man whose brilliant and many-sided gifts are not honored in his own country alone, and who has gathered laurels with full hands in every field of musical achievement—my old friend, Sir Arthur Sullivan.">[
Your Royal Highness, My Lords and Gentlemen: It is gratifying to find that at the great representative art-gathering of the year the sister arts are now receiving at the hands of the painters and sculptors of the United Kingdom that compliment to which their members are justly entitled. Art is a commonwealth in which all the component estates hold an equal position, and it has been reserved for you, sir, under your distinguished presidency, to give full and honorable recognition to this important fact. You have done so in those terms of delicate, subtle compliment, which whilst displaying the touch of the master, also bear the impress of genuine sympathy, by calling upon my friend Mr. Irving, and myself, as representatives of the drama and of music, to return thanks for those branches of art to which our lives' efforts have been devoted.
I may add, speaking for my own art, that there is a singular appropriateness that this compliment to Music should be paid by the artist whose brain has conceived and whose hand depicted a most enchanting "Music Lesson." You, sir, have touched with eloquence and feeling upon some of the tenderer attributes of music; I would with your permission, call attention to another—namely, its power and influence on popular sentiment; for of all the arts I think Music has the most mighty, universal, and immediate effect. ["Hear! hear!">[ I know there are many educated and intelligent people who, absorbed in commerce, politics, and other pursuits, think that music is a mere family pastime—an ear-gratifying enjoyment. Great popularity has its drawbacks as well as its advantages, and there is no doubt that the widespread, instantaneous appreciation and popularity of melody has detracted somewhat from the proper recognition of the higher and graver attributes of music. But that music is a power and has influenced humanity with dynamic force in politics, religion, peace, and war, no one can gainsay. Who can deny the effect in great crises of the world's history of the Lutheran Chorale, "Ein' feste Burg," which roused the enthusiasm of whole towns and cities and caused them to embrace the reformed faith en masse—of the "Ça ira," with its ghastly association of tumbril and guillotine, and of the still more powerful "Marseillaise?" These three tunes alone have been largely instrumental in varying the course of history. [Cheers.]
Amongst our own people, no one who has visited the Greater Britain beyond the seas but must be alive to the depth of feeling stirred by the first bar of "God Save the Queen." It is not too much to say that this air has done more than any other single agency to consolidate the national sentiment which forms the basis of our world-wide Empire. [Cheers.] But, sir, my duty is not to deliver a dissertation on music, my duty is to thank you for the offering and the acceptation of this toast, which I do most sincerely.