Our mad recreation out of school was “playing horse.” We drove each other singly and in pairs by means of wooden bits and reins of sheep-twine, and some prancing horses were led, chewing one end of a twine string, and neighing and prancing almost beyond the control of the infant groom.
In the congressman's woods, close by the school-house, we built stalls and mangers against logs and in fence corners, and gathered horse-sorrel and sheep-sorrel for hay. The stalls were bedded with grass and protected from the sun by a roof of green boughs, and the horses were watered and curried and groomed in imitation of that service at the stage stables, and the steeds themselves kicked and bit like the vicious leaders.
Other teachers followed the young and sentimental one, and the surplus of the dinner-baskets, thrown out of the window or cast upon the wood-pile, bred a colony of gray rats that lived under the school-house and came out to take the air in the quiet period after the door was padlocked at night and even ventured to come up into the school-room and look over the books and otherwise nibble at learning. When I had advanced to the dignity of pictorial geography, as set forth in a thin, square-built, dog-eared volume, which not having been opened for a whole day by a certain prancing horse, he was left to learn his lesson while the teacher went to tea at the house below the tavern, and the wheat stubble under the window was soon alive with gray rodents that looked like the colony of seals in the geography.
About this time the rats, having taken formal possession of the old school-house, a new school-house was built in our village just beyond my grandmother's house and facing her orchard.
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“My great-grandmother.”
My Great-Grandmother
My great-grandmother was the widow of an Episcopal clergyman, the Rev. Titus Welton, whose son was the first rector of the village church. My only acquaintance with my great-grandfather was connected with the white headstone that bore his name in the graveyard. With the exception of a quaint water-color portrait in profile of my grandmother in a mob-cap bound with a black ribbon, which was equally a portrait of the flowered back of the rocking-chair in which she sat, she survives in my memory in a series of pictures. I see her sitting before the open fire, knitting, with one steel needle held in a knitting-sheath pinned to her left side, or taking snuff from a flat, round box that contained a vanilla bean to perfume the snuff. Her hands were twisted with rheumatism, and she walked with a cane. On one occasion I trotted by her side to church and carried her tin foot-stove, warm with glowing coals.
She slept in a high post bed in her particular room over the sitting-room, which was warmed in winter by a sheet-iron drum connected with the stove below, and in one corner was a copper warming-pan with a long handle. When I sat at table in my high-chair eating apple-pie in a bowl of milk, she sat on the side nearest the fire eating dipped toast with a two-tined fork. The fork may have had three tines, but silver forks had not yet made their appearance.