SUGGESTIONS FOR STUDY

Read the poem through from beginning to end. Then go back to the first and study it more carefully. Notice that there is no pause at the end of the first stanza. In the ninth line, mentally put in how after know. Explain what is said about Freedom's training her son. Loftier office: Loftier than what? Note that might is a noun. Mentally insert hand after courtier's. Can you tell from the hand of a person whether he has suffered or not? What does the author mean here by "the weight of Atlas"? What is a "formless grace"? Is the expression appropriate here? What characteristic of Lincoln is referred to in the line beginning "Called mirth"? Are great men so rare as the author seems to think? Why is the cast a good means of telling of "such a one as he"? Look carefully at one of Lincoln's portraits, and then read this poem aloud to yourself.

Compare this poem with the sonnet On the Life-Mask of Abraham Lincoln, page 210.

COLLATERAL READINGS

Abraham Lincoln: A Short LifeJohn G. Nicolay
The Boys' Life of LincolnHelen Nicolay
Personal Traits of Abraham Lincoln " "
Lincoln the LawyerF.T. Hill
Passages from the Speeches and Letters of Abraham LincolnR.W. Gilder (Ed.)
Lincoln's Own StoriesAnthony Gross
LincolnNorman Hapgood
Abraham Lincoln, the Boy and the ManJames Morgan
Father AbrahamIda Tarbell
He Knew Lincoln[6] " "
Life of Abraham Lincoln " "
Abraham LincolnRobert G. Ingersoll
Abraham LincolnNoah Brooks
Abraham Lincoln for Boys and GirlsC.W. Moores
The GraysonsEdward Eggleston
The Perfect Tribute[6]M.R.S. Andrews
The Toy Shop[6]M.S. Gerry
We Talked of Lincoln (poem)[7]E.W. Thomson
Lincoln and the Sleeping SentinelL.E. Chittenden
O Captain, my Captain!Walt Whitman
When Lilacs last in the Dooryard Bloomed " "
PoemsE.C. Stedman
An American Anthology " " "
American Authors and their Homes, pp. 157-172F.W. Halsey
American Authors at Home, pp. 273-291J.L. and J.B. Gilder

For portraits of E.C. Stedman, see Bookman, 34:592; Current Literature, 42:49.


JEAN VALJEAN