If Light can thus deceive, wherefore not Life?
J. Blanco White (1775-1841).
([See preface.]) This sonnet, apart from its great excellence, is a remarkable literary curiosity. By this one poem alone Blanco White achieved a lasting reputation as a poet. The point is that this is his only poem. He certainly had previously written a sonnet of little merit on survival after death, but “Night and Death” was apparently an inspired transfiguration of his earlier effort. It is a startling instance of inspiration coming to a man once only in his life—and then coming in its very highest form. There are other poets, whose work is generally of poor quality, but who have each produced one surprisingly good poem which alone keeps their memory alive. An instance of this is Christopher Smart (1722-1771), who wrote several volumes of verse but only one fine poem, the “Song of David.” Charles Wolfe (1791-1823) is also known only by his “Burial of Sir John Moore,” but his other poems, though forgotten, are said to have had some merit.
The sonnet is also interesting for another reason. White’s family had settled in Spain for two generations, his grandfather having changed his name to Blanco. His mother was Spanish, he was educated in Spain, and became a Spanish priest, and he did not leave for England until 1810, when thirty-five years of age. Yet White’s beautiful thought could hardly be expressed in finer language. There is, however, one defect in the words “fly and leaf and insect.” (William Sharp courageously altered “fly” into “flower.”)
Coleridge thought this “the finest and most grandly conceived sonnet in our language.” Leigh Hunt said that in point of thought it “stands supreme, perhaps, above all in any language: nor can we ponder it too deeply, or with too hopeful a reverence.”
I sleep, I eat and drink, I read and meditate, I walk in my neighbour’s pleasant fields and see the varieties of natural beauties, and delight in all that in which God delights—that is, in virtue and wisdom, in the whole creation, and in God Himself. And he, that hath so many causes of joy, and so great, is very much in love with sorrow and peevishness, who loses all these pleasures, and chooses to sit down upon his little handful of thorns.
Jeremy Taylor.
In my Progress travelling Northward,