The diviners used certain incantations to cure the sick, but the healing art among the Incas was really in the hands of learned men. Those Amautas who devoted themselves to the study of medicine had, as Acosta bears testimony, a knowledge of the properties of many plants. The febrifuge virtues of the precious quinquina were, it is true, unknown, or only locally known. But the Amautas used plants with tonic properties for curing fevers; and they were provided with these and other drugs by an itinerant caste, called Calahuayas or Charisanis, who went into the forests to procure them. The descendants of these itinerant doctors still wander over South America, selling drugs.[1198] The discovery of a skull in a cemetery at Yucay, which exhibits clear evidence of a case of trepanning before death, proves the marvellous advances made by the Incas in surgical science.
RUINS AT CHUCUITO.
[After a drawing in Squier’s Primeval Monuments of Peru, p. 17, showing a wall of hewn stones, with an entrance. The enclosed rectangle is 65 feet on each side,—“a type of an advanced class of megalithic monuments by no means uncommon in the highlands of Peru.” Cf. Squier’s Peru, p. 354.—Ed.]
The sovereign was the centre of all civilization and all knowledge. All literary culture, all the religious ceremonial which had grown up with the extension of the empire, had the Inca for their centre, as well as all the military operations and all laws connected with civil administration. Originally but the Sinchi, or chief of a small ayllu, the greatness of successive Incas grew with the extension of their power, until at last they were looked upon almost as deities by their subjects. The greatest lords entered their presence in a stooping position and with a small burden on their backs. The imperial family rapidly increased. Each Inca left behind him numerous younger sons, whose descendants formed an ayllu, so that the later sovereigns were surrounded by a numerous following of their own kindred, from among whom able public servants were selected. The sovereign was the “Sapallan Inca,” the sole and sovereign lord, and with good reason he was called Huaccha-cuyac, or friend of the poor.
Enormous wealth was sent to Cuzco as tribute from all parts of the empire, for the service of the court and of the temples. The special insignia of the sovereign were the llautu, or crimson fringe round the forehead, the wing feathers (black and white) of the alcamari, an Andean vulture, on the head, forming together the suntu paucar or sacred head-dress; the huaman champi, or mace, and the ccapac-yauri, or sceptre. His dress consisted of shirts of cotton, tunics of dyed cotton in patterns, with borders of small gold and silver plates or feathers, and mantles of fine vicuña wool woven and dyed. The Incas, as represented in the pictures at Cuzco,[1199] painted soon after the conquest, wore golden breastplates suspended round their necks, with the image of the sun stamped upon them;[1200] and the Ccoya, or queen, wore a large golden topu, or pin, with figures engraved on the head, which secured her lliclla, or mantle. All the utensils of the palace were of gold; and so exclusively was that precious metal used in the service of the court and the temple that a garden outside the Ccuri-cancha was planted with models of leaves, fruit, and stalks made of pure gold.[1201]
TITICACA.
[After a cut in Ruge’s Gesch. des Zeital. der Entdeckungen. Squier explored the lake with Raimond in 1864-65, and bears testimony to the general accuracy of the survey by J. B. Pentland, British consul in Bolivia (1827-28 and 1837), published by the British admiralty; but Squier points out some defects of his survey in his Remarques sur la Géog. du Pérou, p. 14, and in Journal Amer. Geog. Soc., iii. There is another view in Wiener’s Pérou et Bolivie, p. 441. Cf. Markham’s Cieza de Leon, 370; Marcoy’s Voyage; Baldwin’s Ancient America, 228; and Philippson’s Gesch. des neu. Zeit., i. 240. Squier in his Peru (pp. 308-370) gives various views, plans of the ruins, and a map of the lake.—Ed.]