The distinctive features both of the La Cosa and the Ruysch drafts, of the Cantino map and of the Waldseemüller or St. Dié map of 1513, were preserved, with more or less modifications in many of the early maps. The Stobnicza map—published in an Introductio to Ptolemy at Cracow in 1512—is in effect the St. Dié map, with a western ocean in place of the edge of the plate as given in the 1513 Ptolemy, and is more like the draft of Reisch’s map published three years later.
There are other drawings of this map in Stevens’s Notes; in Nordenskiöld’s Bröderna Zenos (Stockholm, 1883); etc.
The Schöner globe of 1515, often cited as the Frankfort globe; the Schöner globe of 1520; the so-called Tross gores of 1514-1519; the map of Petrus Apianus[437]—or Bienewitz, as he was called in his vernacular—which appeared in the Polyhistoria of Solinus, edited by the Italian monk Camers, and also in 1522 in the De orbis situ of Pomponius Mela, published by Vadianus,—all preserve the same characteristics with the St. Dié map, excepting that they show the western passage referred to in Columbus’ dream, and so far unite some of the inferences from the map of Ruysch. There was a curious survival of this Cantino type, particularly as regards North America for many years yet to come, as seen in the map which Münster added to the Basle edition of the Novus orbis in 1532 and 1537, and in the drawing which Jomard gives[438] as from “une cassette de la Collection Trivulci, dite Cassettina all’Agemina.” This last drawing is a cordiform mappemonde, very like another which accompanied Honter’s Rudimenta cosmographica in 1542, and which was repeated in various editions to as late a period as 1590. Thus it happened that for nearly a century geographical views which the earliest navigators evolved, continued in popular books to convey the most inadequate notion of the contour of the new continent.[439]
SYLVANUS’ MAP, 1511.
The map is given in its original projection in Lelewel, pl. xlv., and on a greatly reduced scale in Daly’s Early Cartography, p. 32. There are copies of this 1511 Ptolemy in the Lenox, Carter-Brown, Astor, Brevoort, Barlow, and Kalbfleisch collections. Cf. Murphy Catalogue, no. 2,051, for a copy now in the American Geographical Society’s Library, and references in Winsor’s Bibliography of Ptolemy sub anno 1511.
In the same year with the publication of the Peter Martyr map of 1511, an edition of Ptolemy, published at Venice and edited by Bernardus Sylvanus, contained a mappemonde on a cordiform projection,—which is said to be the first instance of the use of this method in drafting maps. What is shown of the new discoveries is brought in a distorted shape on the extreme western verge of the map; and to make the contour more intelligible, it is reduced in the sketch annexed to an ordinary plane projection. It is the earliest engraved map to give any trace of the Cortereal discoveries[440] and to indicate the Square, or St. Lawrence, Gulf. It gives a curious Latinized form to the name of the navigator himself in “Regalis Domus” (Cortereal), and restores Greenland, or Engronelant, to a peninsular connection with northwestern Europe as it had appeared in the Ptolemy of 1482.