"Abstinence, sobriety, are an economic and spiritual necessity," bellows Sir Frankenstein. Whereupon the male contingent votes the land dry and gets drunk.
From the foregoing we may derive glimmers of truth concerning the public tolerance of iconoclasts. "Main Street," a volume fathered by Mencken, Freud, and the other Chaos-Bringers, leaps into prominence as a best seller. It is devoured and acclaimed by the ballot maniac who reads it, smacks his lips over its "truths" and sallies forth to vote further canonizations of hypocrisy into the legal code. Even I, who ten years ago prided myself upon being as indigestible a type of the Incoherent Young as the land afforded, find myself for one month a best seller [Footnote: "Erik Dorn," Mr. Hecht's first novel.—Ed.] on my native heath. Woe the prophet who is with honor in his country! He will flee in disgust in quest of hair shirts and a bastinado.
Thus, the citizens. With the left hand they greet the iconoclasts and hand them royalties. With the right hand they pass further laws for the iconoclasts to denounce. A phenomenon results. With the thought of the masses becoming more and more neutral in the highty-tighty war between Good and Evil, the laws created by these same masses grow more and more rabid. But it must be borne in mind that although the masses, carried away by flagellant impulses, assist in the creation of these laws, in the main, they are laws, self-created platitudes which give birth to new platitudes. Logic is the most pernicious of the Holy Ghosts responsible for the conception of undesirable Gods.
I am prepared now to make further revelations. The foregoing, although bristling with inconsistencies, seems to me, nevertheless, a ground work. I will begin the apocalyptic finale with a resume of the choir-leaders, the high priests, the Mahatmas of Sir Frankenstein.
Item one: It is obvious that the laws of the land being the ghastly climaxes of artificial logic and not of human desires or biological necessities, therefore the salaried apostles of these laws must function similarly outside nature.
The high priests, it develops indeed upon investigation, diligently lickspittling to Sir Frankenstein, have no following. The masses are not going to Heaven in their wake. They, the high priests, are magically out of touch with their worshippers. And from day to day they grow further out of touch until they are to be seen high in the clouds tending the fugitive altars that are soaring toward God on their own power.
These high priests are the creatures elected, commissioned and delegated by the proletaire to perpetuate its grandiose and impossible image. And this they do. They are the custodians of the public morals, meaning the protectors of the huge trick mirror out of which the complexes, neurasthenias, and morbid fears of the public stare back at it in the guise of Virtue, Honor, Decency, and Love. These custodians are also, to leap into the denouement, the censors here under discussion; censors not only tolerated but insisted upon by the people to annoy and harass them and inspire them to further ballot flagellations in order that they, the people, may be spared the disaster of discovering themselves different from what two hundred centuries of self-idealization have driven them into believing themselves to be.
This, the high priests do. In every village, hamlet and farm they have their say. They chastise. They make things fit for decent people to see or wear or drink, and people flattered to death at the idea of being considered decent submit piously to the distastement infringements and taboos.
All-powerful are the censors. But despite this all-powerfulness they labor under a wretched handicap. They are stupid. Stupidity is the paradox to be found most often in all-powerful Gods. They are stupid, the censors. And the Devil is clever. The Seven Arts which are the Seven Incarnations of Dionysius, the Seven Masks of an unrepentant Lucifer, elude them in the horrific struggle. Or at least partially elude them. Occasionally a cloven hoof is spied and sliced to the bone.