Given free reign under the conditions herein outlined, the youth of the land is abandoning itself to a safe and sane orgie of iconoclasm. Satanic epigrams cloud the air of the very market-place. Poets, column conductors, hack literary reviewers, hack romancers, lecturers, realists, imagists, and all are gloatingly engaged in sacking the Temple, in thumbing their nose at the taboos.
In fact so widespread is the unlicensed and unrebuked iconoclasm of the day that a great disgust is being born in the hearts of the pioneers. Every dog has his paradox, every hack his anti-Christ, they bewail. And surveying the horizon despairingly they see no enemy rushing upon them with the wind.
There are, of course, scattered here and there among the keepers of the Seal, observant priests. They omit isolated groans. They launch Quixotic sorties. But they retire and collapse without waiting combat. To their denunciation of "degenerate, sinful and corrupting cesspools of alleged art" (I quote from a review of some of my own work appearing in an issue of the Springfield (Ill.) Republican), there is no answering response. They are left abandoned, the Fiery Cross burning down to their fingers and flickering out. They cannot be glorified into an enemy.
On the whole I fear for the result. Ideas favor a bloody battle-ground for birthplace. And here we stand, drawn up in battle array discharging broadsides of "Winesburgs, Ohios," "Main Streets," "Cornhuskers" and the like; flying our colors valiantly—but there is no battle. The enemy sleeps. Or the enemy wakes up and issues an indifferent invitation that we stay to tea.
Comrade Dreiser may demur at all this and, peeling his vest, reveal us wounds, honorable wounds acquired in honorable battle. And further, he may regale us with tales of hair shirts and bastinadoes suffered by him in the Republic. But alas, he is Telemachus, grey-bearded and full of memories. And the youth of Athens, fallen upon softer ways, listen with envious incredulity to such tall tales.
THE WOMAN'S PLACE
[Illustration: Ruth Hale as a XXth Century woman guarding the Home Brew.]