The coffeepot on this particular day chose to boil. They rattled merrily out of Frederick and off into the higher hills beyond. It was a little after noon when they reached the farm.
They had had to turn off the pike and take a winding wood road, rough and muddy from the spring rains. All through the budding green of the trees dogwood had hung out white bridal garlands for them, and there were violets in all the little mossy hollows. At last they came through to the clearing, where lay the farm, right on the ridge, its fields smiling in the sun, a truce of Nature with man's energy and persistence. Yet not a final truce. For all around, the woods crept up to the open and thrust in tentative fingers—tiny pine trees, sprouts and seedlings of hardwood, scraps of underbrush—all trying to gain a foothold and even when cut and overturned by the sharp plough still clinging tenaciously to their feeble rooting.
"It looks somehow," said Annie, vaguely understanding this, "as if the trees and things were just waiting to climb over the walls."
"And that's what they are," said Wesley Dean. "The time I put in grubbing! Well—let's go in and see Aunt Dolcey."
He had told her, coming out, that he was afraid she would find the house sort of plain, but just the space of it delighted her. The rooms were bare and square, whitewashed exquisitely, the furniture dark old cherry and walnut of a style three generations past.
There were no blinds or curtains, and in the streaming sunlight Annie could see that everything was clean and polished to the last flicker of high light. Here and there were bits of colour—crimson and blue in the rag carpet, golden brass candlesticks on the mantel, a red-beaded mat on the table under the lamp, the lamp itself clear glass and filled with red kerosene that happily repeated the tint of the mat. It all pleased Annie, touching some hitherto untwanged chord of beauty in her nature. And there was about it the unmistakable atmosphere of home.
"Old-fashioned but sort of swell, too," she decided. "Looks kind of like some of the parlours of those old houses on Charles Street that I used to rubber into in the evenings when the lights were lit and they'd forgot to put the blinds down."
She liked the impassive almost Egyptian face of Aunt Dolcey, too. The old coloured woman had received her with a serious regard but friendly.
"Mist' Wes, he stahtle me mighty frequen', but he nevah stahtle me with no marryin' befo'," she said. "Honey, it'll be mighty nice to have a pret' young gal in de house. I'll serve you de bes' I kin, faithful an' stiddy, like I always serve him. Ef I'd 'a' known you was a-comin' I'd sho' had somethin' fo' dinneh to-day besides greens an' po'k, cracklin' pone an' apple dumplin's. That's nuffin' fo' a weddin' dinneh."
But when they came to eat it, it was delicious—the greens delicately seasoned, not greasy, the salt pork home-cured and sweet, the cracklin' pone crumbling with richness, and the apple dumpling a delight of spicy flavour.