Crossman stood aside, hesitating. Antoine drew off his mittens with businesslike precision, and placed a huge, capable hand on a pot-lid, lifted it, and eyed the contents of the saucepan.
"The Curé, he like ptarmigan," he observed, "but," he added in a matter-of-fact voice, "the Curé like not Aurore—he have tell you, hein? Ah, well, why not? For him such as Aurore are not—voilà."
"The Curé says she is a devil." Crossman marvelled at his temerity, yet he hung on the answer.
"Why not? For him, as I have say, she is not—for me, for you, ma frien', that is different." Antoine turned on him eyes as impersonal as those of Fate; where Crossman had expected to see animosity there was none, only a strange brotherhood of pitying understanding.
"For who shall forbid that the dawn she shall break—hein?" he continued. "The Curé? Not mooch. When the Dawn she come, she come; not with his hand can he hold her back. For me, now comes perhaps the sunset; perhaps the dawn for you. But what would you? Who can put the dog-harness on the wind, or put the bit in the teeth of the waterfall to hold him up?"
"Or who with his hand can draw the Borealis from heaven?" Crossman cut in. He spoke unconsciously. He had not wished to say that, he had not wanted to speak at all, but his subconscious mind had welded the thought of her so fast to the great mystery of the Northern Lights that without volition he had voiced it.
Antoine Marceau nodded quietly. The strangely aloof acknowledgment of Crossman's possible relation to this woman, his woman, who yet was not his or any man's, somehow shocked Crossman. His blood flamed at the thought, and yet he felt her intangible, unreal. He had but to look into her shifting, glittering eyes, and there were silence and playing lights. Suddenly his vision of her changed, became human and vital. He saw before him the sinuous movement of her strong young body. He realized the living perfume of her, clean and fresh, faintly aromatic as of pine in the sunlight, and violets in the shadow.
Antoine Marceau busied himself about the cook-house. He did not speak of Aurore again, not even when his eye rested on the paper doll skewered to the door by the deep-driven knife. He frowned, made the sign of the cross, jerked out the knife, and thrust its point in the purifying blaze of the charcoal fire. But he made no comment.
Crossman turned on his heel and entered the office-building. Through the south window he saw Jakapa snowshoeing swiftly up the short incline to the door; beside him walked the Curé, pleading and anxious. He could follow the words as his lips framed them. In the present mood Crossman did not wish to hear the Curé's denunciation. It was sufficient to see that the Foreman had, evidently, no intention of acting on the advice proffered.
As he softly closed the door between the main office and the living room at the rear, he heard the men enter on a quick word of reproof in the Curé's rich bass.