“I wish to goodness Milly would sit down at home with a book. But she says life is so much more exciting than books. She told me the other day that she had to live her own life.”
“Life!” Alyse laughed scornfully. “That baby!”
It was at about this moment and several miles farther downtown in a dancing place called Poppy Gardens that Mildred, the baby, was on the verge of learning something about life. She was also being called an infant, but in quite a different tone.
“I’d jus’ soon tell the world,” said Dion Delanoy, holding her closer, “that you’re some little dancer, baby.”
And at the half-lazy, half-insolent caress in his voice, Milly thrilled with rapture and with discomfort. But it was very queer—there seemed to be two of her. One was intoxicated with delight and wonder, and the other held herself cool and aloof and, looking on, curled her lip. Overhead in the ceiling electric bulbs were stuck like pins in a cushion. When you tilted your head back so that your cheek touched your partner’s shoulder, all these lights reeled and swam after you around the room, and the floor undulated in long flat waves. When you floated through the green spotlight, Dion Delanoy’s eyes, like large shoe buttons in an ordinary light, became queer and sinister. When at the other end of the room the red spotlight washed over you, his pale dusky skin with the blue tinge from shaving had a bloom like an exotic fruit, and he became beautiful; he became what she had come out to meet, a romantic hero.
And she had reached that brief, glamorous season when there must be a hero to worship or one goes hungry and thirsty. When she had seen him in a bullfighter’s costume with the footlights performing their nightly miracle with him, her hunger had fed itself upon him. Jane Tremont had been almost as bad, but it was her note he had answered, and she alone whom he had invited to meet him in the Peacock Alley of a Broadway hotel. It was Fate, his choosing her and not Jane, and it could only mean that they were meant for each other.
Having only just begun to learn about life, Milly didn’t suspect that the trysting spot Delanoy had chosen could be neatly overlooked from a balcony, and standing here, he could scrutinize his latest conquest and decide whether or not he cared to keep the appointment. He had been a bit taken aback by Milly’s youth, but it happened to be a dull evening. And besides, in the dressing room, heavy with the odour of stale powder, Milly had used a forbidden lipstick. He could not possibly know that in spite of her desirous lips her heart was pounding with fright.
But now, since they had danced for half an hour, fright had given place to this queer mixture of emotions; elation, dizzy wonder—she, Mildred Todd, dancing with a famous dancer, or at any rate a nearly famous dancer—hadn’t he had a dance practically alone, with the spotlight once directly on him?—and a curious undercurrent of vague unhappiness, as if already she had said good-bye to someone she had shrined and now had lost. And those two individualities into which she had divided, the one whose lip curled sometimes, who looked on, not happy and yet not unhappy—homesick, rather—and the other, confused, ecstatic, and silly.
“I feel funny,” thought Milly, “and nothing is quite like I thought it would be.”
Then the next minute she thrilled when someone behind them said, “That fella’s Dion Delanoy.”