“Evelyn’s looking all to the good to-night,” he said gazing after the two young women with a careless appraisal.
“You don’t mean Evelyn Beverly, of the Follies, do you?”
“Sure,” he replied, rather too quickly; “old friend of mine. She and I was dancing up here in Jack’s studio last night. Come on. Don’t pretend you’ve never been out after dark before. That kind of bluff makes me sick.”
She felt a desperate necessity not to displease him, this godlike being, so handsome as he stood frowning down at her. And she would die rather than let him think her less endowed with insouciance than Evelyn Beverly. Meekly, with her lips parted childishly and her flower-blue eyes very wide, she followed him to the elevator.
In spite of Alyse’s contempt for coincidence, it does happen in life. For instance, there was the sprig of lilac in the buttonhole of the Negro elevator boy. As Milly stepped out of the elevator this bit of flower, stuck so casually in a buttonhole, sent a sort of message to her brain. On the supper table at home that night there had been a sprig or two from the bush in the back yard. Her mother had always been foolish about that bush, coaxing it, feeding it, ever since Milly could remember. And now the perfume of lilac acted like a reagent in Milly’s subconscious mind. As she watched Dion Delanoy searching his pockets for his key, bending over the keyhole, it was as if her vision for the first time that evening was quite clear.
And nothing can be more merciless than a young girl’s scrutiny. Milly saw the ignoble back of his head, his hair sleeked back with pomade, a slight sprinkling of dandruff on his coat collar, his commonplace hand, not too clean. He smelled slightly of the barber shop and of toilet water. She disliked his necktie.
She was kept waiting only a few seconds, but in this interval a romantic hero died. She had a sudden, furious distaste for this cheap stranger, and her heart ached too. She wanted dreadfully to be at home. But she felt helpless; she couldn’t think what to do next or how to get away. Delano had at last got the door open. He opened it, turned to her.
And at that instant behind a door at the end of the short hall a woman laughed low and happily.
“Why,” exclaimed Milly, “that sounds exactly like Aunt Jude!”
Judith Todd, when she had left the house and her mother behind her, became as usual a thing with wings on her feet. She flew toward the Subway entrance, her dark eyes eager, her chin outthrust, her tall figure leaning forward as if the waiting to get there was intolerable. Sometimes she took a quick and happy look up at the sky, as a girl may who is hastening to meet a lover.