. . . . . . . . . . . . . . . . . . . . . . . .
“The more we study the growth of German heroic tradition, the more clear does it become that Widsith and Deor reflect that tradition. They are not the actual outpourings of actual poets at the court of Ermanric or the Heodenings. What the poems sung in the court of Ermanric were like we shall never know: but we can safely say that they were unlike Widsith.... The Traveller’s tale is a fantasy of some man, keenly interested in the old stories, who depicts an ideal wandering singer, and makes him move hither and thither among the tribes and the heroes whose stories he loves. In the names of its chiefs, in the names of its tribes, and above all in its spirit, Widsith reflects the heroic age of the migrations, an age which had hardly begun in the days of Ermanric.”—Chambers, p. 4.
Lines 75, 82-84 are almost certainly interpolated. With these rejected “the poem leaves upon us,” says Chambers, “a very definite impression. It is a catalogue of the tribes and heroes of Germany, and many of these heroes, though they may have been half legendary already to the writer of the poem, are historic characters who can be dated with accuracy.”]
Note.—In the footnotes, no attempt is made to discuss peoples or persons mentioned in this poem unless they are definitely known and are of importance for an understanding of the meaning of the lines.
Widsith now spoke, his word-hoard unlocked,
He who traveled the widest among tribes of men,
Farthest among folk: on the floor he received
The rarest of gifts. From the race of the [Myrgings]
5 His ancestors sprang. With [Ealhhild] the gracious,
The fair framer of peace, for the first time