[5] Percy MacKaye, The Playhouse and the Play, New York, 1909, p. 86.
[6] Quoted by Percy MacKaye in The Civic Theatre, New York, 1912, p. 114.
[7] P. P. Howe, The Repertory Theatre, New York, 1911, p. 59.
[8] A. E. F. Horniman, The Manchester Players, Poet Lore, Vol. XXV, No. 3, p. 212; p. 213.
[9] The kind of co-operation to which he looked forward is beginning. For instance, the New York Drama League announces a Little Theatre membership. "Its purpose is to serve the needs of the large and constantly growing public that is interested in the activities of the semi-professional and amateur community groups who read or produce plays. Under this new Membership there will be issued monthly, for ten issues a Play List of five pages, giving a concise but complete synopsis of new plays, both one-act and longer plays. It will show the number of characters required; the kind of audience to which the play would be likely to appeal; the royalty asked for production rights; the production necessities and other information of value to production groups or individuals. One page will be devoted to three or four standard older plays treated with the same detail of information. The Little Theatre Supplement ... will continue to be issued each month, but will hereafter be a feature of the Little Theatre Membership only. It will contain the programs of the Little Theatres throughout the country; short accounts of what is going on among the various groups, and articles on Little Theatre problems, with hints on new, effective and economical methods of production."
[10] Lady Gregory, Our Irish Theatre, New York, 1913, p. 101.
[11] Robert Edmond Jones, The Future Decorative Art of the Theatre, Theatre Magazine, Vol. XXV, May, 1917, p. 266.
[12] Robert Edmond Jones himself has suggested the phrasing of these descriptions.
[14] Sheldon Cheney, The Art Theatre, New York, 1917, pp. 167-168.