[43] B. N. Hedderman, Glimpses of My Life in Aran, Bristol, 1917.
[44] J. B. Yeats, Life in the West of Ireland, Dublin and London, 1912. The color prints and line drawings in this book are very beautiful. Cf. also J. M. Synge, The Aran Islands. With drawings by Jack B. Yeats, Dublin and London, 1907.]
[45] Copyright, 1916, by The Sunwise Turn, Inc. All rights reserved. The professional and amateur stage rights on this play are strictly reserved by the author. Applications for permission to produce the Play should be made to The Neighborhood Playhouse, 466 Grand Street, New York.
Any infringement of the author's rights will be punished by the penalties imposed under the United States Revised Statutes, Title 60, Chapter 3.
[46] For bibliography see E. A. Boyd, The Contemporary Drama of Ireland, Boston, 1917.
[47] Clayton Hamilton, Seen on the Stage, New York, 1920, p. 238; p. 239.
[48] Copyright, 1921, by Stark Young. Acting rights, amateur and professional, must be secured from the author, care of the New York Drama League, 7 East 42 Street, New York.
[49] Maurice F. Egan, Everybody's St. Francis, with pictures by M. Boutet de Monvel, New York, 1912.
[50] Reprinted by special arrangement with Gowans & Gray. Ltd., Glasgow. The acting rights are reserved.
[51] I am indebted to Miss Italia Conti for the original scenario of the Masque, and to former Editors of Vanity Fair and The Crown for permission to reprint the two songs which were published in their journals.—Alix Egerton.