| F. N. W. BATESON (Trinity) | |
| Trespassers | Page [1] |
| EDMUND BLUNDEN (Queen’s) | |
| The Watermill | [2] |
| The Scythe | [4] |
| That Time is Gone | [7] |
| The South-West Wind | [8] |
| The Canal | [9] |
| The March Bee | [11] |
| LOUIS GOLDING (Queen’s) | |
| Ploughman at the Plough | [12] |
| Portrait of an Artist | [13] |
| Shepherd singing Ragtime | [14] |
| Ghosts Gathering | [18] |
| Silver-badged Waiter | [20] |
| ROBERT GRAVES (St John’s) | |
| Cynics and Romantics | [21] |
| Unicorn and the White Doe | [22] |
| Sullen Moods | [25] |
| Henry and Mary | [27] |
| On the Ridge | [28] |
| A Lover since Childhood | [29] |
| ROSALEEN GRAVES (Home Student) | |
| Night Sounds | [30] |
| ‘A Stronger than he shall come upon him ...’ | [32] |
| Colour | [33] |
| BERTRAM HIGGINS (B.N.C.) | |
| White Magic | [34] |
| RICHARD HUGHES (Oriel) | |
| Singing Furies | [35] |
| The Sermon | [37] |
| Tramp | [38] |
| Gratitude | [40] |
| Judy | [42] |
| Ruin | [43] |
| ALAN PORTER (Queen’s) | |
| Introduction to a Narrative Poem | [44] |
| Summer Bathing | [47] |
| Country Churchyard | [49] |
| Museum | [50] |
| Lost Lands | [52] |
| FRANK PREWETT (Christ Church) | |
| Come Girl, and embrace | [53] |
| I went out into the Fields | [54] |
| Comrade, why do you weep? | [56] |
| The Winds caress the Trees | [57] |
| EDGELL RICKWORD (Pembroke) | |
| Complaint of a Tadpole confined in a jam-jar | [58] |
| Regret for the Depopulation of Rural Districts | [60] |
| Complaint after Psycho-Analysis | [61] |
| Desire | [62] |
| Trench Poets | [63] |
| Winter Prophecies | [64] |
F. N. W. BATESON
TRESPASSERS
Gauntly outlined, white and still,
Three haystacks peer above the hill;
Three aged rakes thrust sprawlingly
Fantastic tendons to the sky.
In the void and dismal yard
Farmer’s dog keeps rasping guard,
Challenging night’s trespassers,
The solemn legions of the stars;
Growling ignominious scorn
At Cancer and at Capricorn.
The yellow stars, serene and prim,
Tolerantly stare at him.