This parody of “David Copperfield” appeared in Punch May 2, 1885, it was illustrated by an excellent cartoon of Mr. Gladstone as “Mrs. Gummidge.”

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Space will not permit of the insertion of further extracts from the parodies on Dickens, it remains, therefore, to enumerate his principal works in chronological order, followed by a list of the parodies, imitations, and plays founded upon them:—

A Chronological List of the Works ofCharles Dickens.
Sketches by Boz1836-37
Sunday under Three Heads1836
Pickwick Papers1837
Oliver Twist1838
Sketches of Young Gentlemen1838
Nicholas Nickleby1839
Sketches of Young Couples1840
Master Humphrey’s Clock (The Old
Curiosity Shop & Barnaby Rudge)
1840-1
American Notes1842
Christmas Carol1843
Martin Chuzzlewit1844
The Chimes1845
Cricket on the Hearth1846
Pictures from Italy1846
Battle of Life1846
Dombey and Son1848
Haunted Man1848
David Copperfield1850
Mr. Nightingale’s Diary1851
Child’s History of England1852-4
Bleak House1853
Hard Times1854
Little Dorrit1857
Hunted Down1859
Tale of Two Cities1859
Great Expectations1861
Uncommercial Traveller1861
Our Mutual Friend1865
Mystery of Edwin Drood1870

Sam Weller, a Journal of Wit and Humour. Edited by Sam Slick, with illustrations. 1837.

Posthumous Papers of the Cadgers’ Club. With sixteen engravings. London. E. Lloyd, about 1837.

Posthumous Papers of the Wonderful Discovery Club, formerly of Camden Town. Established by Sir Peter Patron. Edited by “Poz.” With eleven illustrations, designed by Squib, and engraved by Point. London. 1838.

The Post-humourous Notes of the Pickwickian Club. Edited by “Bos.” 2 vols, with numerous illustrations. London.

Pickwick in America, detailing all the adventures of that individual in the United States. Edited by “Bos.” Illustrated with forty-six engravings by “Phis.” London. E. Lloyd, about 1837.

Pickwick Abroad, or a Tour in France, by G. W. M. Reynolds. This is a thick octavo volume, published in 1839, with numerous illustrations. The first edition is rather scarce, but reprints (published by Willoughby & Co., London) are not difficult to procure. The woodcuts, in the body of the book, are curious, as showing the architecture and appearance of the principal streets of Paris fifty years ago.