This was another version which was produced at the City of London Theatre, January 7, 1846.
A Christmas Carol; or, the Miser’s Warning, by C. Z. Barnett. Produced at the Surrey Theatre, February 5, 1844. This adaptation was published with a note stating that “the extreme necessity (the consequence of its high and deserved popularity) that so imperatively called for its representation on the stage, has also demanded its publication as a Drama, which it is the Adapter’s sincere wish, as it is his conviction, will considerably augment the sale of the original lovely and humanizing creation upon which it is founded.” (Lacy 1410. Dicks 722.)
Dot, a Fairy Tale of Home. A Drama in Three Acts, from “The Cricket on the Hearth.” Dramatised by Dion Boucicault. Not published.
The Haunted Man, a Drama. Adapted from Charles Dickens’s Christmas Story. Not published.
The Chimes, a Goblin Story, of some Bells that rang an Old Year out, and a New Year in; a Drama, in Four Quarters, by Mark Lemon and Gilbert Abbott à Beckett. Adelphi Theatre, London, December 19, 1844. (Webster’s Drama 115.)
La Bataille de la Vie. Pièce en Trois Actes, par M. M. Mèlesville et André de Goy. Vaudeville Theatre, Paris, 1853.
The Battle of Life, founded on the Christmas Annual of Charles Dickens, dramatised by Albert Smith. In Three Acts and in Verse. Lyceum Theatre, London, December 21, 1846. (W. S. Johnson.)
The Battle of Life, a Drama in Three Acts, by Edward Stirling. Surrey Theatre, London. January, 1847. (Duncombe’s Theatre 456.)
Dombey and Son. In three acts. Dramatized by John Brougham, and produced at Burton’s Theatre, New York, 1850. (Dicks 375. French 126.)
Dombey and Son; or, Good Mrs. Brown, the Child Stealer. A Drama, in two acts. “From the pen of the inimitable Charles Dickens, Esq. As performed at the Royal Strand Theatre.” No date.