Hard Times. A Domestic Drama, in Three Acts, by T. Fox Cooper. Strand Theatre, London, August 14, 1854. (Dicks.)
No Thorough Fare; a Drama in Five Acts, and a Prologue. By Charles Dickens and W. Wilkie Collins. Adelphi Theatre, London, December 26, 1867, and afterwards in Paris. Printed in New York.
Identity; or, No Thoroughfare. A Drama in Four Acts. By Louis Lequel. New York. (French.)
L’Abime, drame en cinq actes. (Founded on “No Thoroughfare.”) Paris, 1868.
The Tale of Two Cities; or, the Incarcerated Victim of the Bastille. An Historical Drama, in a Prologue and four acts. Adapted by T. Fox Cooper. First performed at the Victoria Theatre, London, July 7, 1860. (Dicks.)
A Tale of Two Cities; a Drama in two acts and a Prologue. By Tom Taylor. Lyceum Theatre, London, January 30, 1860. (Lacy 661.)
The Tale of Two Cities; a Drama in three acts and a Prologue. Adapted by H. J. Rivers. London.
A Message from the Sea, a Drama in Four Acts. Founded on Charles Dickens’s tale of that name, by John Brougham. Britannia Theatre, London, 1861. (Dicks 459.)
A Message from the Sea; a Drama in Three Acts. By Charles Dickens and W. Wilkie Collins. London, 1861.
The Dead Witness; or Sin and its Shadow. A Drama in Three Acts, by Wybert Reeve, founded on “The Widow’s Story” of The Seven Poor Travellers, by C. Dickens. First produced at the Sheffield Theatre. (S. French 1472.)