Shouting glad to the Epsom breeze
Give us—ah! give us—the Derby Day.
W. E. Henley.
Ballades, Rondeaus and Villanelles.
The revival of the taste for these curious old French forms of poetry has received a great impetus from the delightful examples produced by Austin Dobson, Edmund Gosse, W. E. Henley, Andrew Lang, R. Le Gallienne, J. Ashby-Sterry, A. C. Swinburne, C. H. Waring and Oscar Wilde.
The composition of all poetry in the English language is governed by clearly defined rules, and although a man ignorant of these rules, if gifted with a fine ear, and original conceptions, may produce a pretty song or ballad, it is very rare indeed that any truly great work is composed, which is not written in accordance with certain regulations as to metre and rhyme.
In ordinary poetry these restrictions allow of great variations in style and treatment, but it is far otherwise when any of the old French poetical fashions are selected; then the rules are exact and peremptory, and for each of the following varieties, the form is clearly defined, and perfectly distinct. They are the Ballade, Chant Royal, Kyrielle, Pantoum, Rondeau Redoublé, Rondel, Rondeau, Sicilian Octave, Triolet, and Villanelle, with a few minor forms.
It is quite beyond the scope of this collection to formulate the rules governing the composition of these poetic trifles, nor indeed is it necessary, for Mr. Gleeson White’s charming little book on the subject is readily accessible, and contains nearly all that can be said about it. It is entitled Ballades and Rondeaus, selected, with a chapter on the various forms, by Gleeson White. London, Walter Scott, 1887.