R. W. Gilder, in ‘The Old Cabinet,’ in Scribner’s Monthly, now The Century, May, 1871.
Charlotte’s marriage.
It was fixed that the marriage was to take place on the 29th of June (1854). Her two friends (Ellen Nussey and Miss Wooler) arrived at Haworth Parsonage the day before; and the long summer afternoon and evening were spent by Charlotte in thoughtful arrangements for the morrow, and for her father’s comfort during her absence from home. When all was finished—the trunk packed, the morning’s breakfast arranged, the wedding-dress laid out—just at bed-time, Mr. Brontë announced his intention of stopping at home while the others went to church. What was to be done? Who was to give the bride away? There were only to be the officiating clergyman, the bride and bridegroom, the bridesmaid, and Miss Wooler present. The prayer-book was referred to; and there it was seen that the rubric enjoins that the minister shall receive “the woman from her father’s or friend’s hands,” and that nothing is specified as to the sex of the “friend.” So Miss Wooler, ever kind in emergency, volunteered to give her old pupil away.... The news of the wedding had slipped abroad before the little party came out of church, and many old humble friends were there, seeing her look “like a snow-drop,” as they say. Her dress was white embroidered muslin, with a lace mantle, and white bonnet trimmed with green leaves, which might suggest the resemblance of the pale wintry flower.
Mrs. Gaskell: ‘Life of Charlotte Brontë.’
Her brief married life.
There was not much time for literary labors during these happy months of married life. The wife, new to her duties, was engaged in mastering them with all the patience, self-suppression, and industry which had characterized her throughout her life. Her husband was now her first thought; and he took the time which had formerly been devoted to reading, study, thought, and writing. But occasionally the pressure she was forced to put upon herself was very severe. Mr. Nicholls had never been attracted toward her by her literary fame: with literary effort he had no sympathy, and upon the whole he would rather that his wife should lay aside her pen entirely than that she should gain any fresh triumphs in the world of letters. So she submitted, and with cheerful courage repressed that “gift” which had been her solace in sorrows deep and many. Yet once the spell was too strong to be resisted, and she hastily wrote a few pages of a new story called ‘Emma,’ in which once more she proposed to deal with her favorite theme—the history of a friendless girl. One would fain have seen how she would have treated her subject, now that “the color of her thoughts” had been changed, and that a happy marriage had introduced her to a new phase of that life which she had studied so closely and so constantly. But it was not to be.
T. Wemyss Reid: ‘Charlotte Brontë, a Monograph.’