She was all her life-time the victim of disease and pain. She read and wrote in bed, and believed that she could understand anything better when she was ill. Pain acted like a girdle to give tension to her powers. A lady who was with her one day during a terrible attack of nervous headache, which made Margaret totally helpless, assured me that Margaret was yet in the finest vein of humor, and kept those who were assisting her in a strange, painful excitement, between laughing and crying, by perpetual brilliant sallies. There were other peculiarities of habit and power. When she turned her head on one side she alleged she had second sight, like St. Francis. These traits or predispositions made her a willing listener to all the uncertain science of mesmerism and its goblin brood, which have been rife in recent years.
It was soon evident that there was somewhat a little pagan about her; that she had some faith more or less distinct in a fate, and in a guardian genius; that her fancy or her pride, had played with her religion. She had a taste for gems, ciphers, talismans, omens, coincidences, and birth-days. She had a special love for the planet Jupiter, and a belief that the month of September was inauspicious to her. She never forgot that her name, Margarita, signified a pearl.... She chose carbuncle for her own stone, and when a dear friend was to give her a gem, this was the one selected.... She was wont to put on her carbuncle, a bracelet or some selected gem, to write letters to certain friends. One of her friends she coupled with the onyx, another in a decided way with the amethyst.... Coincidences, good and bad, contretemps, seals, ciphers, mottoes, omens, anniversaries, names, dreams, are all of a certain importance to her.... She soon surrounded herself with a little mythology of her own.
She had a series of anniversaries, which she kept. Her seal-ring of the flying Mercury had its legend.
R. W. Emerson: ‘Memoirs of Margaret Fuller Ossoli.’
Her love of children.
Her love of children was one of her most prominent characteristics. The pleasure she enjoyed in their society was fully counterpoised by that she imparted. To them she was never lofty, nor reserved, nor mystical; for no one had ever a more perfect faculty for entering into their sports, their feelings, their enjoyments. She could narrate almost any story in language level to their capacities, and in a manner calculated to bring out their hearty, and often boisterously-expressed delight. She possessed marvellous powers of observation and imitation, or mimicry; and had she been attracted to the stage, would have been the first actress America has produced, whether in tragedy or comedy. Her faculty of mimicking was not needed to commend her to the hearts of children, but it had its effects in increasing the fascinations of her genial nature and heart-felt joy in their society. To amuse and instruct was an achievement for which she would readily forego any personal object; and her intuitive perception of the toys, games, stories, rhymes, etc., best adapted to arrest and enchain their attention was unsurpassed.
Horace Greeley: Communication in ‘Memoirs of Margaret Fuller Ossoli.’
A welcome guest.