The second part of the Play opens with the PRIEST saying: “Under the shadow of a cherry tree all through the night I stand, the petals fall and dance in the air, the moon shines brilliant and clear, and in these beautiful surroundings I say the midnight prayer.”
TAMURAMARU then appears in the form of a warrior, saying: “How thankful am I to hear the voice of prayer, the midnight prayer from a passing stranger! ’Tis Kannon’s mercy, her help. Oh, how grateful I am!”
The PRIEST observes how strange it is that he sees a manly figure in the light of the glittering flowers, and asks who it is.
To this TAMURAMARU replies that he has now nothing to conceal, and begins to tell the story of his life by stating that in the reign of Emperor Heize[49] he was Tamuramaru of Sakanoue, who was to conquer the Eastern barbarians, the fiends, and that by the help of the Goddess of this Temple he had power to do it. The story is then told by the CHORUS, who recounts that, according to the Emperor’s declaration, the powerful and rebellious fiends in Seishu must be put down and peace must be restored. Tamuramaru collected the army, and when ready to start he came to this Temple and prayed to Kannon that he might gain the victory. “There was a strange but good omen,” breaks in TAMURAMARU, and the CHORUS goes on to recount with what exultation he set out at once to strike at the rebels.
Another chant of the CHORUS describes the march of Tamuramaru and his army to the seat of the rebels. They travelled far, going over the mountain pass of Ōsaka and through the forest of Awazu; stopping to adore the Temple of Ishiyama, noted for its mirage, where also Kannon is enshrined; and crossing over the long bridge of Seta, which resounded gallantly as horses trotted over it. At last they reached the province of Isé (or Seishu), and, convinced of their victory, for they were waging a just war, were more encouraged than ever, every one of them desiring to show his bravery and strike the first blow at the rebels. Happily, moreover, with the help of Kannon, the fiends, though they were numerous, were unconscious of their arrival.
With thundering voice, which shook trees and rivers, even the mountains, and which echoed through the heavens and reached to the deepest earth, TAMURAMARU then spoke thus: “You, fiends, hear what I say. In older times there was once a rebel called Chikata, and the heavenly punishment descended upon him and the fiends who served him, and they were at once defeated.”
The CHORUS then describes how the fiends came on in battle, raising thick clouds and pouring down iron-fire, and by their magic art creating thousands of armed men. They looked like the sea of Isé, or the forest of Ano, so mighty were they and so numerous!
TAMURAMARU breaks in: “There behold, how astonishing!” and the CHORUS goes on to explain that over his own army the light of the thousand-handed Kannon appeared, flying in space, with a bow of mercy and arrows of wisdom in each of her thousand hands, so that the arrows poured down like rain and hail over the enemy till all were struck and not one was left alive. Hence it was by Kannon’s power that the victory was gained, and to her should be rendered eternal gratitude.
The play, which was written essentially in praise of the virtues and powers of Kannon, is attributed to Motokiyo, the author of Kagekiyo (see p. [53]).
END OF “TAMURA”