Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the heavens, and cease
To glide a sunbeam by the blasted pine,5
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,10
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropped upon the firths of ice,15
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow: let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave20
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth25
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying through the lawn,
The moan of doves in immemorial elms,30
And murmuring of innumerable bees.
Lord Tennyson.
IN THE VALLEY OF CAUTERETZ
All along the valley, stream that flashest white,
Deepening thy voice with the deepening of the night,
All along the valley, where thy waters flow,
I walked with one I loved two and thirty years ago.
All along the valley while I walked to-day,5
The two and thirty years were a mist that rolls away;
For all along the valley, down thy rocky bed,
Thy living voice to me was as the voice of the dead,
And all along the valley, by rock and cave and tree,
The voice of the dead was a living voice to me.10
Lord Tennyson.
CURRENTE CALAMO
Quick, painter, quick, the moment seize
Amid the snowy Pyrenees;
More evanescent than the snow,
The pictures come, are seen, and go:
Quick, quick, currente calamo.5
I do not ask the tints that fill
The gate of day 'twixt hill and hill;
I ask not for the hues that fleet
Above the distant peaks; my feet
Are on a poplar-bordered road,10
Where with a saddle and a load
A donkey, old and ashen-grey,
Reluctant works his dusty way.
Before him, still with might and main
Pulling his rope, the rustic rein,15
A girl: before both him and me,
Frequent she turns and lets me see,
Unconscious, lets me scan and trace
The sunny darkness of her face
And outlines full of southern grace.20
Following I notice, yet and yet,
Her olive skin, dark eyes deep set,
And black, and blacker e'en than jet,
The escaping hair that scantly showed,
Since o'er it in the country mode,25
For winter warmth and summer shade,
The lap of scarlet cloth is laid.
And then, back-falling from the head,
A crimson kerchief overspread
Her jacket blue; thence passing down,30
A skirt of darkest yellow-brown,
Coarse stuff, allowing to the view
The smooth limb to the woollen shoe.
But who—here's some one following too,—
A priest, and reading at his book!35
Read on, O priest, and do not look;
Consider,—she is but a child,—
Yet might your fancy be beguiled.
Read on, O priest, and pass and go!
But see, succeeding in a row,40
Two, three, and four, a motley train,
Musicians wandering back to Spain;
With fiddle and with tambourine,
A man with women following seen.
What dresses, ribbon ends, and flowers!45
And,—sight to wonder at for hours,—
The man,—to Phillip has he sat?—
With butterfly-like velvet hat;
One dame his big bassoon conveys,
On one his gentle arm he lays;50
They stop, and look, and something say,
And to 'España' ask the way.
But while I speak, and point them on;
Alas, my dearer friends are gone,
The dark-eyed maiden and the ass55
Have had the time the bridge to pass.
Vainly, beyond it far descried,
Adieu, and peace with you abide,
Grey donkey, and your beauteous guide.
The pictures come, the pictures go,60
Quick, quick, currente calamo.
A. H. Clough.
CINTRA
Lo! Cintra's glorious Eden intervenes
In variegated maze of mount and glen.
Ah me! what hand can pencil guide, or pen,
To follow half on which the eye dilates
Through views more dazzling unto mortal ken5
Than those whereof such things the bard relates,
Who to the awe-struck world unlocked Elysium's gates?