Your ghost will walk, you lover of trees,
(If our loves remain)
In an English lane,
By a cornfield-side a-flutter with poppies.
Hark, those two in the hazel coppice—5
A boy and a girl, if the good fates please,
Making love, say,—
The happier they!
Draw yourself up from the light of the moon,
And let them pass, as they will too soon,10
With the beanflowers' boon,
And the blackbird's tune,
And May, and June!

II

What I love best in all the world,
Is, a castle, precipice-encurled,15
In a gash of the wind-grieved Apennine.
Or look for me, old fellow of mine,
(If I get my head from out the mouth
O' the grave, and loose my spirit's bands,
And come again to the land of lands)—20
In a sea-side house to the farther south,
Where the baked cicalas die of drouth,
And one sharp tree—'tis a cypress—stands,
By the many hundred years red-rusted,
Rough iron-spiked, ripe fruit-o'ercrusted,25
My sentinel to guard the sands
To the water's edge. For, what expands
Before the house, but the great opaque
Blue breadth of sea without a break?
While, in the house, for ever crumbles30
Some fragment of the frescoed walls,
From blisters where a scorpion sprawls.
A girl bare-footed brings, and tumbles
Down on the pavement, green-flesh melons,
And says there's news to-day—the king35
Was shot at, touched in the liver-wing,
Goes with his Bourbon arm in a sling:
—She hopes they have not caught the felons.
Italy, my Italy!
Queen Mary's saying serves for me—40
(When fortune's malice
Lost her, Calais)
Open my heart and you will see
Graved inside of it, 'Italy,'
Such lovers old are I and she;45
So it always was, so shall ever be!

R. Browning.

VENICE

There is a glorious City in the sea.
The sea is in the broad, the narrow streets,
Ebbing and flowing; and the salt sea-weed
Clings to the marble of her palaces.
No track of men, no footsteps to and fro,5
Lead to her gates. The path lies o'er the sea,
Invisible; and from the land we went,
As to a floating city—steering in,
And gliding up her streets as in a dream,
So smoothly, silently—by many a dome,10
Mosque-like, and many a stately portico,
The statues ranged along an azure sky;
By many a pile in more than eastern pride,
Of old the residence of merchant-kings;
The fronts of some, though Time had shattered them,
Still glowing with the richest hues of art,16
As though the wealth within them had run o'er.

S. Rogers.

OCEAN'S NURSLING

Underneath Day's azure eyes
Ocean's nursling, Venice lies,
A peopled labyrinth of walls,
Amphitrite's destined halls,
Which her hoary sire now paves5
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;10
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion15
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold20
Where Apollo spoke of old.
Sun-girt City! thou hast been
Ocean's child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,25
If the power that raised thee here
Hallow so thy watery bier.

P. B. Shelley.