“I did, but now I've come back to my real life, which I would have left had I married Tom.”
He nodded. “I see. I had heard awfully little about it all; I was away, and then it was so quickly done.”
“I know,” she went on, hurriedly; “but let me tell you, and you will understand me better later—that is, if you want to understand me.”
“Most certainly I do.” Amory sustained the strange sad gaze of her charming, heavy-lidded eyes in a sort of maze. Her mat skin looked white, now that her blushes were gone, and her delicate, irregular features a little pinched. He drank his tea and watched her while she talked.
“I teach music,” she began; “to do it I left my relations in the country and came to this horrible great city. I have one dreary, cold room, as unlike this as two rooms can be. I have tried to make it seem like a home, but when I saw this I knew how I had failed.”
“Poor little girl!” said Amory.
“I have the ordinary feelings of a girl,” she went on, “and yet I see before me the long stretch of a dreary life. I love music; I hear none but the strumming of children. I like pictures, books, people; I see none. I like to laugh, to talk; there is no one to laugh with, to talk to. I am very—unhappy.” The last words were spoken very low, but the misery in them touched Amory deeply.
“Poor little girl!” he said again, and gently laid his hand on the arm of her chair. “But how can Tom know this and let you go? You are mistaken in Tom, I am sure, and—”
The girl straightened her slender figure and rose. “Oh no! it is all right. He doesn't love me, your Tom; and so the world goes—I must go, too. I—”
“Don't go,” said Amory. “Let me—” She shook her head. “You have no more to do; you have comforted and warmed and fed a hungry wanderer, and she must make haste home. Thank you for everything; thank you.”